30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Karl Jentsch
11 Jun 1898, Rudolf Steiner |
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Leipzig 1898 Under this title, Karl Jentsch has just published a book. The application of the scientific way of thinking of our time to the development of mankind leads to this concept. |
While others, such as Huxley, Alexander Tille and so on, understand the progress of mankind in the same way as the rest of nature in the sense of Darwinism, Jentsch does not believe he can do without the assumption of a purposeful arrangement of historical facts. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Karl Jentsch
11 Jun 1898, Rudolf Steiner |
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Leipzig 1898 Under this title, Karl Jentsch has just published a book. The application of the scientific way of thinking of our time to the development of mankind leads to this concept. Just as in the rest of nature those forms are preserved which prove to be the stronger in the struggle for existence, this is also the case in the historical development of man. By applying this concept, one arrives at the overcoming of all purposive causes. In nature today only backward spirits will probably believe in purposive causes. In the views on human development, however, this idea seems to be less easy to eradicate. This is most clearly shown by the author of the above-mentioned book. While others, such as Huxley, Alexander Tille and so on, understand the progress of mankind in the same way as the rest of nature in the sense of Darwinism, Jentsch does not believe he can do without the assumption of a purposeful arrangement of historical facts. But it must be noted: Whoever assumes a purposeful arrangement in nature or the human world must also believe in a wise creator of this arrangement. And whoever does this falls back into old theological prejudices which should have been overcome by the Darwinian view of the world. But it will be a long time before the remnants of the old theological ideas have disappeared from people's minds. They will still haunt us in one form or another. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Paul Nikolaus Cossmann
30 Dec 1899, Rudolf Steiner |
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Coßmann believes that organic natural science should incorporate teleology, he must be told that he does not understand the relationship of modern natural science to teleology. A locomotive is undoubtedly purpose-built, and Mr. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Paul Nikolaus Cossmann
30 Dec 1899, Rudolf Steiner |
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Stuttgart 1899 This book is one of the literary phenomena that are unfortunately not at all rare in our time, whose authors bear a large part of the blame for the regrettable fact that philosophy is becoming increasingly discredited. A self-evident truth, which no reasonable person doubts, is dealt with in 129 pages of comfortable breadth. What is before everyone's eyes is clothed in the most abstract formulas, and the author has the misfortune of losing his footing in the world of his abstractions and not even suspecting that his "formulations" say nothing at all. He wants to show that in nature, in which everything is connected according to cause and effect, there are also phenomena that are connected in other ways. Cause and effect form a two-part connection. Coßmann seeks to demonstrate tripartite connections within the world of life. The retinal image of the eye arises as the effect of a light stimulus on the eye-gifted organism. We have a two-part connection. The light stimulus acts on the organism and the eyelid is closed to protect against the stimulus. We have a tripartite connection, a connection between the cause - the light stimulus - the effect - the closing of the eyelid - and the purpose, the protection of the organ. Bipartite connections should be called causal, tripartite teleological purposeful. The natural science of the present is reproached for wanting to explain everything from the connections between causes and effects; and the natural science of the future is dreamed of bringing teleology to bear in all its glory. What Mr. Coßmann broadly expounds on his 129 pages can be found in the following eight lines of the book "Die Welträtsel" by Ernst Haeckel, whom our author certainly counts among those who overlook teleological connections: "In the body structure and in the life activity of all organisms we are undeniably confronted with purposeful activity. Every plant and every animal, in its composition of individual parts, appears to be just as equipped for a certain purpose in life as the artificial machines invented and constructed by man, and as long as their life continues, the function of the individual organs is just as directed towards certain purposes as the work in the individual parts of the machine." Coßmann does nothing more than put this undeniable fact into unspeakably pedantic formulas. There is no need to object to such philosophical gimmickry. It should be dealt with by those who find nothing more sensible to do in the world. But if Mr. Coßmann believes that organic natural science should incorporate teleology, he must be told that he does not understand the relationship of modern natural science to teleology. A locomotive is undoubtedly purpose-built, and Mr. Coßmann could attribute its effectiveness to his neat tripartite formula. However, the person who is to build the locomotive is not served by describing its purpose to him in a pure way. He must know the causes by which the purpose is achieved. This is how the naturalist feels about nature. He determines the purposes; but he then seeks to explain the purposeful effects from the causes. As little as a machine can be built according to its purpose, so little can a living being be explained from its purposeful arrangement. But Mr. Coßmann faces an even more serious reproach. The purpose occurs in the time sequence after the cause. If we now disregard time and merely consider that there is a necessary connection between cause and effect, then we can also derive each cause from its effect just as well as, conversely, the effect from the cause. In a formula of mechanics that derives an effect from the cause, we only need to insert the time with a negative sign, then we have the possibility of deriving the earlier from the later. If the later then appears as a purpose, the causal connection becomes a purposeful one, and Mr. Coßmann's tripartite formula is not needed. Mr. Coßmann would now have a task if he really wanted to prove something. He would have to show that a fact valid within mechanics also corresponds to such a fact in the teleological field. For mechanics, this fact is that we can imagine a process regressing in our thoughts (through the negative sign before time), but that in reality this process cannot take place regressively. In teleology it would have to be shown that the retroactive effect of the purpose which we can imagine is really present. Mr. Coßmann is probably wary of this, because he would then have to come to the only way out that exists for the purpose theorist, to the statement of "wisdom and reason", which have first ordered the organisms as we imagine them afterwards. "Whether there are special final causes, causae finales, apart from, in addition to, beyond the causas efficientibus (forces of nature), which continue to work with blind, unintentional necessity, is a matter of scholastic dispute, and scholastic dispute is possible; but that there is in Natura naturata a purposefulness independent of man, infinitely superior to all his art, is not," says Otto Liebmann in "Gedanken und Tatsachen" (1st ed., 91). Coßmann contributed nothing, absolutely nothing, to the decision on the former; we did not need him to establish the latter. We have before us the work of a dilettante who has acquired the airs and graces of a philosopher. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Heinrich V. Schoeler
06 Jan 1900, Rudolf Steiner |
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For a century, the proud-sounding word has been uttered again and again: Kant had liberated thinking humanity from the shackles of philosophical dogmatism, which made empty assertions about the essence of things without undertaking a critical investigation into whether the human mind was also capable of making out something absolutely valid about this essence. |
No supporter of the modern scientific world view need contradict this conclusion. For those who understand the modern theory of development, it is a necessary consequence of it. H. v. Schoeler would have found proof of this if he had added to the wealth of knowledge he has acquired the knowledge of my "Philosophy of Freedom" published five years ago. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Heinrich V. Schoeler
06 Jan 1900, Rudolf Steiner |
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An unprejudiced view of the world. Leipzig 1898 In 1865, Otto Liebmann demanded in his essay "Kant and the Epigones" that we must return to Kant in philosophy. He saw the salvation of his science in the fulfillment of this demand. In doing so, he was merely expressing the view of the vast majority of philosophers of our time. And many natural scientists, insofar as they are still concerned with philosophical concepts, also see Kant's doctrine as the only possible form of central science. Starting with philosophers and naturalists, this opinion has also penetrated the wider circles of educated people with an interest in philosophy. Kant's view has thus become a driving force in our scientific thinking. Without ever having read a line from Kant or heard a sentence from his teachings, many of our contemporaries view world events in his way. For a century, the proud-sounding word has been uttered again and again: Kant had liberated thinking humanity from the shackles of philosophical dogmatism, which made empty assertions about the essence of things without undertaking a critical investigation into whether the human mind was also capable of making out something absolutely valid about this essence. For many who utter this word, however, the old dogma has been replaced by a new one, namely that of the irrefutable truth of Kant's fundamental views. These can be summarized in the following sentences: A thing can only be perceived by us if it makes an impression on us, exerts an effect. But then it is always only this effect that we perceive, never the thing itself. We cannot form any concept of the latter. The effects of things on us are our perceptions. What we know of the world is therefore not the things, but our ideas of the things. The world given to us is not a world of being, but a world of imagination or appearance. The laws according to which the details of this imaginary world are linked can of course not be the laws of the "things in themselves", but those of our subjective organism. What is to become an appearance for us must obey the laws of our subject. Things can only appear to us in a way that corresponds to our nature. We ourselves prescribe the laws of the world that appears to us - and this alone we know. What Kant thought he had gained for philosophy with these views becomes clear if we take a look at the scientific currents from which he grew and which he confronted. Before the Kantian reform, the teachings of the Leibniz-Wolff school were the only dominant ones in Germany. The followers of this school wanted to arrive at the fundamental truths about the nature of things by means of purely conceptual thinking. The knowledge gained in this way was regarded as clear and necessary as opposed to that gained through sensory experience, which was seen as confused and random. Only pure concepts were believed to lead to scientific insights into the deeper context of world events, the nature of the soul and God, i.e. to the so-called absolute truths. Kant was also a follower of this school in his pre-critical period. His first writings are entirely in its spirit. A change in his views occurred when he became acquainted with the explanations of the English philosopher Hume. The latter sought to prove that there was no evidence other than experience. We perceive the sunbeam, and then we notice that the stone on which it falls has warmed up. We perceive this again and again and get used to it. We therefore assume that the connection between the ray of sunlight and the warming of the stone will also manifest itself in the same way in the future. However, this is by no means a certain and necessary realization. Nothing guarantees us that an event which we are accustomed to seeing in a certain way will not take a completely different course at the next opportunity. All propositions in our sciences are only expressions established by habit for frequently noticed connections between things. Therefore, there can be no knowledge about those objects which philosophers strive for. Here we lack experience, which is the only source of our knowledge. About these things man must be content with mere belief. If science wants to deal with them, it degenerates into an empty game of concepts without content. These propositions apply, in the sense of Hume, not only to the last psychological and theological insights, but also to the simplest laws of nature, for example, to the proposition that every effect must have a cause. This judgment, too, is derived only from experience and established by habit. Hume only accepts as absolutely valid and necessary those propositions in which the predicate is basically already included in the subject, as is the case, in his view, with mathematical judgments. Kant seeks to save absolute knowledge by making it a component of the human mind. Man is organized in such a way that he sees processes in necessary contexts, for example of cause and effect. If they are to appear to man, all things must appear in these contexts. For this reason, however, the whole world of experience is only an appearance, that is, a world that may be as it wishes in itself; for us it appears according to the organization of our mind. We cannot know how it is in itself. Kant sought to save human knowledge from its necessity, its unconditional validity; therefore he gave up its applicability to "things in themselves". H. v. Schoeler stands on Kantian ground. He seeks to prove, with the expenditure of a wealth of knowledge, with a commendable knowledge of the details of the individual sciences, that our knowledge does not reach to the sources of being. Like Kant, he does not seek in knowledge the highest content of man's existence. Kant destroyed knowledge in order to make room for the world that he conjures up from the categorical imperative with the help of faith. Schoeler seeks to show that, independently of all knowledge, goals of existence arise in our souls that make life seem much more worth living than the contemplation of the "crude mechanism of nature" and the "physiological automatism of the body in which our desires are rooted". "The ideality of the emotional life is the saving remedy which preserves our bodily organs from degeneration and keeps our soul healthy and puts it in a position to develop all its powers harmoniously, in the lively activity of which alone, no matter in what field of charitable work, is the purpose of a humane existence. He who has lived the ideals of reason and the cultural aims of humanity has lived for all time; for ability is more important than knowledge - action is the highest." No supporter of the modern scientific world view need contradict this conclusion. For those who understand the modern theory of development, it is a necessary consequence of it. H. v. Schoeler would have found proof of this if he had added to the wealth of knowledge he has acquired the knowledge of my "Philosophy of Freedom" published five years ago. I do not resent him because he has not done so, but I also do not feel obliged to tell him here what he can better read in context in my book. |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Goethe and Medicine
13 Jan 1901, Rudolf Steiner |
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Once again, it was the physicians from whom he drew his most important inspiration. He studied anatomy in depth under the guidance of Court Councillor Loder. A manuscript he left behind (now published in Volume VIII of the Weimar Goethe Edition) shows how he pursued this science entirely in the spirit of a rational comparative method. |
But this preoccupation also caused the poet to develop a deep understanding of medical science. The nature of this understanding is shown clearly enough by a description he gives in "Dichtung und Wahrheit" of the medical movement of the seventies of the last century. |
A part of the letter to him is printed in Goethe's works under the title "Plastic Anatomy". Here he mentions that this "plastic anatomy" has been practiced in Florence for many years and adds the remark: "But should one not immediately think of Berlin when calling for such a location, where everything - science, art, taste and technology - is together and therefore a highly important, admittedly complicated undertaking could be carried out immediately by word and will?" |
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Goethe and Medicine
13 Jan 1901, Rudolf Steiner |
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The rich literature that exists on this relationship proves that the great poet, to whom the capital of Austria has now also erected a monument, had a relationship with the natural sciences that is of profound interest to the natural scientist. A number of the most important natural scientists have endeavored to describe Goethe's significance for their science. One need only recall the relevant writings of Virchow ("Goethe as a natural scientist and in special relation to Schiller", 1861), Helmholtz ("Über Goethes naturwissenschaftliche Arbeiten" and "Goethes Vorahnungen kommender naturwissenschaftlicher Ideen", 1892), Haeckel ("Goethe, Lamarck and Darwin", 1882) and Cohn ("Goethe as a Botanist", 1881) in order to bring to life the idea of the high value attached to the poet's scientific work by experts in the field. The author of this essay has himself attempted to explain the significance of Goethe's scientific ideas and their position within the scientific development of the nineteenth century in a series of works ("Einleitungen zu Goethes naturwissenschaftlichen Schriften" in the Kürschnersche Goethe-Ausgabe, 1883 to 1897, and "Goethes Weltanschauung", 1897). Whatever else one may think about this significance, one thing seems beyond doubt after the above-mentioned works: Goethe was right to say in a review of his scientific endeavors: "Not through an extraordinary gift of the spirit, not through a momentary inspiration, nor unexpectedly and all at once, but through a consequent effort have I finally arrived at such a gratifying result." In Goethe's scientific ideas, we have before us not just flashes of genius, but the results of strictly methodical work. And if we follow Goethe's efforts historically, it is particularly striking how close he was to the spirit of modern scientific methods in the way he worked. This has been shown particularly clearly in the notes published from Goethe's papers left behind (second section of the great Weimar Goethe edition, volumes 6, 7, 9, 10, 11 and 12, edited by Steiner, volume 8, edited by Professor v. Bardeleben). To point out just one thing, let us mention Goethe's notes on the relationship between the bones of the skull and the vertebrae contained in these papers. We know that the natural philosopher Lorenz Oken was the first to draw public attention to this relationship; and anyone who has read Goethe's scientific writings is also aware that he was familiar with this fact, which is so significant in terms of evolutionary history, before Oken. However, it was not until Carl Gegenbaur's investigations "On the head skeleton of the Selachians", published in 1872, that it was given a firm foundation. The aforementioned records now prove that Goethe did not arrive at his theory suddenly, through a brilliant idea, like the naturalist Oken, but through continued methodical work, and indeed through such work that was already moving in the direction that later led Gegenbaur to his important results (cf. the essay by Professor Karl v. Bardeleben "Goethe als Anatom" in the XII. Bande des Goethe-Jahrbuches, 1892). The poet Goethe proceeded much more methodically than the natural scientist Oken. It can be observed in many cases with Goethe that a seemingly trivial remark in his writings has an enlightening effect on the whole nature of his work in the most eminent sense. One such remark can be found in the "Appendix" that he added in 1817 to the reprint of his work on the "Metamorphosis of Plants". There he considers certain pathological phenomena in the plant kingdom and speaks of them in the following way: "Nature forms normally when it gives countless details the rule, determines and conditions them; but the phenomena are abnormal when the details prevail and stand out in an arbitrary, even seemingly random way. But because the two are closely related and both the regulated and the irregular are animated by one spirit, there is a fluctuation between the normal and the abnormal, because formation and transformation always alternate, so that the abnormal appears to become normal and the normal abnormal. The shape of a plant part can be abolished or obliterated without us wanting to call it deformity... In the plant kingdom the normal in its completeness is rightly called healthy, physiologically pure; but the abnormal is not immediately to be regarded as diseased or pathological." Such a remark shows how Goethe thought about the pathological. He knew the value of considering the pathological for those who want to form an opinion about the laws of the healthy. It is certainly not wrong to link such a thought of Goethe's with the poet's relationship to medicine. For his scientific ideas were largely influenced by these relationships. One need only follow his own communications in "Dichtung und Wahrheit" to gain an insight into the significant stimuli that Goethe owed to medicine. At the two universities he attended, he felt more attracted to the medical sciences than to the representatives of other subjects. (An interesting clarification of Goethe's relationship to medicine was recently given by Dr. P.H. Gerber, Privatdozent at the University of Königsberg, in his work "Goethes Beziehungen zur Medizin", Berlin 1900). The poet tells us about his stay at the University of Leipzig: "In the manifold dispersion, indeed fragmentation of my being and my studies, it happened that I had lunch with Hofrat Ludwig. He was a physician, a botanist, and the company consisted, apart from Morus, of all aspiring doctors or doctors approaching perfection. During these hours I heard no other conversation than that of medicine or natural history, and my imagination was drawn into quite another field ... The subjects were entertaining and important and held my attention." And later, at the University of Strasbourg, Goethe spent a stimulating time in a circle of doctors. He reported: "Most of my dinner companions were physicians. As is well known, they are the only students who talk about their science, their profession, with liveliness even outside the lessons. This is in the nature of things. The objects of their endeavors are the most sensual and at the same time the highest, the simplest and the most complicated. Medicine deals with the whole person because it deals with the whole person. Everything that the young man learns immediately points to an important, albeit dangerous, but in many ways rewarding practice. He therefore throws himself with passion into what is to be recognized and done, partly because it interests him in itself, partly because it opens up to him the happy prospect of independence and prosperity." But Goethe did not confine himself to such external stimuli in Strasbourg; he also diligently pursued medical and scientific studies himself. He attended lectures on chemistry by Spielmann and on anatomy by one of the most important anatomists of the time, Lobstein. Special circumstances prompted him to take a further interest in certain branches of the medical art. Herder had come to Strasbourg to undergo an eye operation. Goethe, who had formed an intimate friendship with this outstanding mind, was present at the operation and showed himself to be "of service and assistance to his friend in many ways". We also learn from "Dichtung und Wahrheit" how intensely Goethe was interested in these things at the time. He describes an eye operation that was unsuccessful for his friend Jung-Stilling and includes the words: "Usually, and I had watched it myself several times in Strasbourg, nothing seemed easier in the world, as Stilling had also succeeded a hundred times. After a painless incision had been made through the insensitive cornea, the cloudy lens popped out by itself at the slightest pressure, the patient immediately saw the objects and only had to wait blindfolded until a completed cure allowed him to use the delicious organ at will and convenience." The interest Goethe took in medical studies in Strasbourg corresponded to a profound need of his nature. No external circumstances would have been necessary to awaken such an interest in him. For in a certain sense he came to the university well prepared in this direction. The time between his studies in Leipzig and Strasbourg was also filled with reading medical writings. He had studied Boerhave's Compendium and his aphorisms, which formed the basis of medical teaching at the time. When Goethe was then summoned to Weimar by Duke Karl August in 1775, he immediately entered into relations with the neighboring University of Jena. Once again, it was the physicians from whom he drew his most important inspiration. He studied anatomy in depth under the guidance of Court Councillor Loder. A manuscript he left behind (now published in Volume VIII of the Weimar Goethe Edition) shows how he pursued this science entirely in the spirit of a rational comparative method. One fruit of his studies is his important discovery that humans, like other vertebrates, have an intermaxillary bone in the upper jaw. These studies in Jenens enriched his anatomical knowledge to such an extent that he was able to give anatomical lessons to the students of the Weimar Academy of Drawing. The thoroughness of Goethe's studies is also evidenced by the fact that in the winter of 1781, he worked particularly diligently on the study of ligaments with Hofrat Loder, a subject that was "neglected by the medical youth" at the time. It was Goethe's need for a comprehensive view of nature that corresponded to the whole disposition of his mind that drove him to an energetic preoccupation with empirical natural science, which he found best in the circles of medical experts. But this preoccupation also caused the poet to develop a deep understanding of medical science. The nature of this understanding is shown clearly enough by a description he gives in "Dichtung und Wahrheit" of the medical movement of the seventies of the last century. "For a light had dawned on excellent, thinking and feeling minds that a direct, original view of nature and action based on it was the best that man could wish for, and not even difficult to attain. Experience, therefore, was again the general watchword, and every one opened his eyes as well as he could; but it was actually the physicians who had most reason to urge it, and opportunity to seek it.... Because some extraordinary people, such as Boerhave and Haller, had really achieved the unbelievable, it seemed justified to demand even more from their students and descendants. It was claimed that the course was broken, since in all earthly things there can seldom be any question of a course; for just as the water that is displaced by a ship immediately collapses again behind it, so also error, when excellent spirits have pushed it aside and made room for themselves, naturally closes up again very quickly behind them." In an important matter concerning medical teaching, Goethe even came up with a fruitful practical suggestion. He first presented it as a "semi-fiction" in chapter 3 of "Wilhelm Meister's Wanderjahre". The difficulty of procuring the necessary objects for anatomical teaching led him to the idea of using plastic replicas for educational purposes instead of real organic bodies. He later approached Privy Councillor Beuth in Berlin with a proposal to this effect. A part of the letter to him is printed in Goethe's works under the title "Plastic Anatomy". Here he mentions that this "plastic anatomy" has been practiced in Florence for many years and adds the remark: "But should one not immediately think of Berlin when calling for such a location, where everything - science, art, taste and technology - is together and therefore a highly important, admittedly complicated undertaking could be carried out immediately by word and will?" Goethe has very specific suggestions in this direction: "Send an anatomist, a sculptor, a plaster casterer to Florence to be instructed in the special art in question. The anatomist learns to work out the specimens for his own purpose. The sculptor descends from the surface of the human body deeper and deeper into the interior and lends the higher style of his art to objects that would be repulsive and unpleasant without such ideal assistance. The caster, already accustomed to adapt his skill to more intricate cases, will find little difficulty in disposing of his task; he is no stranger to handling wax of various colors and all kinds of dimensions, and he will soon achieve what is desirable." The fact that such a suggestion for a pedagogical aid, which was later used in so many ways, came from Goethe proves how thoroughly he dealt with the requirements of medical teaching. When one considers Goethe's close relationship with medicine, it is not unreasonable to say that this spiritual field also plays an important role in his life's poetry, in "Faust". Faust's personality is reminiscent of Paracelsus and other medical scholars of the fifteenth and sixteenth centuries. Goethe put much of his own essence into this figure. And when we read Faust's reflections on his art as a physician, we may remember that similar thoughts often arose in Goethe's own soul. Questions about the significance of medicine for life certainly often occupied Goethe, as he had become acquainted with the art of healing from a more than merely theoretical perspective through his frequent illnesses. After all, it is entirely in the spirit of his world view to think of the physical in full unity with the spiritual. He, to whom everything human was so intimately familiar, had to be led back again and again to the science of which he had gained the conviction in Strasbourg that it deals with the whole human being, because it has to do with the whole human being. But there is also a branch of medical science to which Goethe was particularly close through his artistic work: psychiatry. Even if we cannot claim that Goethe dealt with this field theoretically in the same way as with the purely physical phenomena of the living organism, it is nevertheless extremely interesting to note his keen eye for psychological abnormalities. His Werther, Orest, the harpist in "Wilhelm Meister", his Lila, Mignon and finally Gretchen are exemplary achievements in the depiction of pathological psyches. Gerber ("Goethe's Relations with Medicine") has subtly pointed out that Goethe portrays Mignon's character as it must be due to the girl's descent from her siblings. Numerous paths led Goethe to medicine. He, who said that true art must be an expression of the highest laws of nature, that poetry rests on the foundations of knowledge, proved through his relationships with medicine that he knew how to assign this spiritual field its rightful place in the totality of the human spirit. |
30. Goethe as the Founder of a New Science of Aesthetics
Rudolf Steiner |
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He completely excluded the plastic arts from his sphere of research, thus showing clearly that he had no conception whatever of Art; and, besides, he knew no principle other than that of the imitation of Nature, which again shows that he never understood the task which the spirit of man sets itself in the creation of the work of art.1 [ 7 ] That the science of the Beautiful only came into existence so late is no accident. |
Goethe finds that ‘nothing in Nature is beautiful which is not also naturally true, in its underlying motive’ (Conversations with Eckermann, iii. 79). And the other side of appearance or semblance, when the being excels its own self, we find expressed as Goethe's view in the proverbs in prose, No. 978: ‘The law of vegetable growth appears in its highest manifestation in the blossom, and the rose is but the pinnacle of this manifestation. |
Only when this tendency becomes the common property of all who strive spiritually; when the belief becomes general that we have not only to understand Goethe's conception of the world, but that we must live in it and it must live in us—only then will Goethe have fulfilled his mission. |
30. Goethe as the Founder of a New Science of Aesthetics
Rudolf Steiner |
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[ 3 ] The number of works and treatises that are appearing in our time, with the object of determining Goethe's relation to the most divergent branches of modern Science and modern intellectual life generally, is overwhelming. The mere list of the titles would fill a portly volume. This feature may be ascribed to the fact that we are ever more clearly realising how, in the person of Goethe, a cultural factor confronts us, with which everything that would participate in the intellectual life of the present day must necessarily come to terms. To pass by would mean, in this case, to reject the foundation of our civilisation, to flounder in the depths, with no will to mount to the luminous heights from which all the light of our culture shines forth. It is only on condition that we attach ourselves, at some point or other, to Goethe and his epoch that we can acquire a clear view of the path our civilisation is treading, and realise the goal which humanity, in modern times, must pursue: failure to find this point of contact with the greatest spirit of latter times means simply being led like the blind, or dragged along by our fellowmen. All things appear to us in a different setting, when viewed with vision quickened at this fountain-head of civilisation. [ 4 ] However gratifying may be the efforts of our contemporaries to find some point of contact with Goethe, the way they set about it is admittedly not very felicitous. Only too often is that necessary quality absent—an open mind—permitting us to sink into and fathom the uttermost depths of Goethe's genius, before mounting the pulpit of criticism. The only reason for believing Goethe to have been superseded in many respects is due to the failure to recognise his full significance. We think we have gone far beyond Goethe, whereas, in most cases, the right thing would be for us to apply his comprehensive principles and magnificent way of looking at things to our own now more perfect scientific appliances and scientific facts. Whether the results of his investigations correspond, more or less, with the results of modern Science is, with regard to Goethe, never of so much importance as the way he sets to work. His results bear the stamp of their epoch, that is, they extend only so far as the scientific appliances and experience of his age allowed: his way of thinking, his way of posing the problems is, however, a permanent achievement, and no greater injustice can be committed than to treat it with contempt. But it is a peculiarity of our day that the spiritual productive force of Genius is considered to be almost without significance. How could it be otherwise in a time when any attempt to reach out beyond the limits of physical experience is tabooed. For mere observation in the world of the senses, all that is necessary are healthy organs of sense, and Genius can, for this purpose, be fairly dispensed with. [ 5 ] But true progress in Science, as also in Art, has never been the product of such methods of observation or servile imitation of Nature. What thousands observe and pass by is then observed by one who, as the result of this same observation, discovers a magnificent scientific law. Many before Galileo had seen a lamp swinging in a church, and yet this man of genius had to come and discover from it the laws of the pendulum, which are of so great importance in Physics. ‘Were not the eye of the nature of the sun, how could it behold the sun,’ exclaims Goethe; he means that none can glance into the depths of Nature who lack the necessary disposition and productive force to see more in the realm of fact than the mere outward facts. This is not accepted. The mighty achievements for which we have to thank Goethe's genius should not be confounded with the deficiencies inherent in his investigations, owing to the lower level of scientific experience at that time. How his own scientific results stand in relation to the progress of scientific research has been aptly characterised by Goethe in a picture: he describes them as pawns which he has perhaps moved forward too daringly on the board, but which should allow the plan of the player to be recognised. If we take these words to heart, then the following great task accrues to us in the field of Goethean research: to revert in each case to Goethe's own tendencies. The results which he himself gives us may stand as examples showing how he attempted to solve his great problems with limited means. It must be our aim to solve them in his spirit, but with the greater means at our disposal, and on the strength of our richer experience. In this way a fructification of all the branches of research to which Goethe devoted his attention will be possible, and, what is more, they will all bear the same uniform stamp, and form links within a great uniform conception of the world. Mere philological and critical research, the justification of which it were folly to deny, must await extension and completion along these lines. We must gain possession of the rich store of thoughts and ideas that are in Goethe, and, making this our starting-point, scientifically carry on the work. [ 6 ] It will at this point be incumbent on me to show to what extent the principles just explained may be applied to one of the youngest and most discussed of sciences—the science of Aesthetics. This science, which is devoted to Art and artistic creation, is barely 160 years old. It was with the conscious intention of opening a new field of scientific research that Alexander Gottlieb Baumgarten came forward with it in 1750. To this same epoch belong the efforts of Winckelmann and Lessing to attain a basis for judging the fundamental questions in Art. All former attempts in the direction of this science cannot even be described as a most elementary tendency. Even the great Aristotle, that intellectual giant, whose influence on all branches of science was so decisive, remained quite unproductive in Aesthetics. He completely excluded the plastic arts from his sphere of research, thus showing clearly that he had no conception whatever of Art; and, besides, he knew no principle other than that of the imitation of Nature, which again shows that he never understood the task which the spirit of man sets itself in the creation of the work of art.1 [ 7 ] That the science of the Beautiful only came into existence so late is no accident. It could not exist earlier, simply because the necessary conditions were absent. What are these conditions? The desire for Art is as old as man himself, but the desire to grasp the nature of its task only came into evidence much later. The Greek spirit, so happily constituted as to find satisfaction in the reality that immediately surrounds us, brought forth an epoch of Art which stands for a highest culmination; but it was the work of primitive ingenuousness, and the need was not felt to create in Art a world that should offer satisfaction such as could not come to us from any other source. The Greeks found in reality all that they sought; all that their hearts yearned and their spirits thirsted for, Nature supplied to them in abundance. It was never to go so far with them, that a yearning should be born in their heart for a Something which we seek in vain in the world that surrounds us. The Greek did not grow out of and away from Nature, therefore all his needs could be satisfied through Nature. With his whole being he was inseparably united and interwoven with Nature; Nature creates in him and knows quite well what she may implant in him, so as to be able again to satisfy his needs. Art, then, with this ingenuous people, was only a continuation of what lives and surges within Nature; it grew directly out of Nature; Nature satisfied the same needs as a mother, only in a higher sense. Aristotle knew no higher principle of Art than the imitation of Nature. There was no need to go farther than Nature, because in Nature was to be found the source of all satisfaction. The mere imitation of Nature, which, to us, would appear empty and insignificant, was, in this case, fully sufficient. We have forgotten how to see in mere Nature the highest that our spirit craves for; for this reason mere realism, which offers us reality devoid of that highest, could never satisfy us. This epoch had to come. It was a necessity for mankind, as it develops to an ever higher level of perfection. Man could only remain completely within Nature so long as he was unconscious of this fact. The instant he gained full and clear knowledge of his own self, the instant he became aware of a kingdom within his inner self, which was of at least equal standing with that outer world—in that instant he had to break away from the shackles of Nature. [ 8 ] He could now no longer surrender himself to her, for her to bear absolute sway over him, so that she should give rise to his needs and moreover satisfy them. Now he had to confront her, and this meant, in fact, that he had broken away from her, that he had created a new world within himself, and it is in this world that the source must now be sought from which his yearning and his desires flow. Whether these desires, now produced apart from Mother Nature, can also be satisfied by her is left to chance. At any rate, a deep chasm now separates man from reality, and he must restore the harmony formerly existing in its original perfection. Hence all the conflicts of the ideal with reality, of purpose with attainment—in short, everything that leads the soul of man into a veritable spiritual labyrinth. Nature stands there bereft of soul, devoid of everything our inner self tells us is divine. The next consequence is estrangement from everything which is Nature—a flight from direct reality. This is the exact opposite of the Greek spirit, which found everything in Nature.2 The subsequent conception of the world finds nothing at all in Nature. The Christian Middle Ages must appear to us in this light. Just as little as the Greeks could gain a knowledge of the essence of Art, in their inability to grasp how Art reaches out beyond Nature, creating a higher Nature side by side with actual Nature, so little could mediaeval science attain a science of Art, for Art could only work with means offered by Nature, and the scholars could not grasp how works could be created within the pale of godless reality, which could satisfy the spirit striving to attain the divine. But the helplessness of Science did not injure the development of Art. While the scholars did not know just what to think, the most glorious works of Christian Art came into existence. Philosophy, which in those days had Theology in tow, was as incapable as the great idealist of the Greeks, the ‘divine Plato,’ had been, of conceding to Art a place within the progress of civilisation. Plato declared the plastic and dramatic arts to be harmful. He could so little conceive of an independent mission of Art, that he only mercifully spares music, because music promotes courage in war. [ 9 ] At a time when Spirit and Nature were so closely joined, a science of Art could not come into existence, nor was this possible at a time when they faced each other in unreconciled opposition. For the genesis of Aesthetics a time was necessary when man, in freedom and independence from the shackles of Nature, perceived the spirit in its undimmed purity, but a time, also, when a reunion with Nature is again possible. That the standpoint of the Greeks should be superseded, is not without good reason. For in the sum total of accidents constituting the world in which we feel ourselves placed, we can never find the divine, the necessary; we see nothing around us but facts that might equally well be different; we see nothing but individuals, and our spirit strives for the expression of the species, for the archetype; we see nothing but the finite, the perishable, and our spirit strives for the infinite, the imperishable, the eternal. And so if man's spirit, once estranged from Nature, is to return to Nature, it must be to something different from that sum total of accidents. It is for this return that Goethe stands; a return to Nature, but with the rich abundance of a developed spirit, with the level of culture of modern times.3 [ 10 ] The fundamental separation of Spirit and Nature does not correspond with Goethe's views. He sees in the world one great whole—a uniformly progressive chain of beings, within which man is a link, even though the highest. ‘Nature! we are surrounded and embraced by her, unable to withdraw from her and unable to advance more deeply into her. She lifts us unasked and unwarned, into the gyrations of her dance, and whirls with us away, until we are exhausted and fall from her arms.’ (Cp. Goethe's Scientific Works edited by Rudolf Steiner, vol. 2, p. 5.) And in the book on Winckelmann: ‘When man's healthy nature works as a whole, when the harmonious pleasure affords him a pure instinctive joy—then the Universe, if it could feel its own self, would cry out in exultation, as having reached its goal, and admire the pinnacle of its own growth and being.’ Here we have Goethe's characteristic way of reaching out far beyond the immediate in Nature, though without in the least losing sight of what constitutes the inner being of Nature. He is a stranger to a quality he finds in many especially gifted men, ‘of feeling a kind of shyness before real life, of drawing back into oneself, of creating one's own inner world, and in this way of giving the most excellent accomplishments an inward direction.’ Goethe does not fly from reality in order to create an abstract thought-world, having nothing in common with reality; he plunges deep into reality, in its eternal mutation, its genesis and movement, to find its laws that are immutable: he confronts the individual to behold the archetype. Thus were born in his spirit the plant-type and the animal-type, which are nothing but the Ideas of the plant and the animal. These are no empty general ideas that are part of a dry theory; they are the essential foundation of organisms—substantial and concrete, animated and distinguishable. Distinguishable, to be sure, not for the outer senses, but only for that higher contemplative capacity that Goethe discusses in his essay on ‘Contemplative Discernment.’ In the Goethean sense, ideas are just as objective as the colours and the forms of things, but they are only perceivable for those whose perceptive faculty is regulated for this purpose; just as colours and forms are only there for those who see, and not for the blind. If we approach the objective world with a non-receptive spirit, it does not disclose itself to us. Without the instinctive capacity for apprehending ideas, the latter remain an ever-sealed book. Here none saw as deeply as Schiller into the structure of Goethe's genius. [ 11 ] On 23rd August, 1794, he enlightens Goethe, in the following words, on the fundamental qualities of his nature: ‘You gather together the whole of Nature in order to gain light on the single detail; where the forms of the phenomena merge into the universal, there you seek the explanation and the reason for the individual. From the simple organisation you mount, step by step, to the more complicated, in order finally to build up the most complicated of all—Man—genetically, and from the materials of Nature's whole edifice. While thus creating him afresh after Nature's pattern, you seek to penetrate the secret of his construction.’ This re-creation provides a key for the understanding of Goethe's conception of the world. If we wish really to rise to the primal types of things, to the immutable in the general mutation, we must revert to the genesis, we must witness Nature create; we must not consider what has reached completion, for this no longer corresponds wholly to the Idea which comes to expression in it.4 This is the meaning of Goethe's words in his essay on ‘Contemplative Discernment:’ ‘If, in the sphere of morality, through belief in God, virtue and immortality, we seek to raise ourselves to a higher region and draw near to the first Being, the same should be the case in the sphere of the intellect—that, through the contemplation of an ever-creating Nature, we should make ourselves worthy of spiritual participation in her production. So did I press on untiringly to that original primal type.’ Thus Goethe's archetypes are no empty forms; they are the productive forces behind the phenomena. [ 12 ] This is the ‘Higher Nature’ in Nature over which Goethe wished to gain control. We gather from this that the reality spread out before our senses in no case represents something on the level of which a man who has attained a higher standard of culture can remain stationary. Only when man transcends this reality—breaks the shell and makes for the kernel—is that revealed to him, which the world holds together in its innermost recess. Nevermore can we find satisfaction in the isolated event in nature, but only in the law of nature; nevermore in the single and the particular, but only in the general and the universal. With Goethe this fact comes into evidence in the most perfect imaginable form. With him also the fact is established that, to the modern intellect, reality, as the single and the particular, can afford no satisfaction, because not in it but beyond it do we find that in which we recognise the highest, which we can revere as divine, which, in Science, we express as Idea. While mere observation cannot reconcile the opposing extremes, if it has reality but has not yet the Idea, so also is Science unable to effect this reconciliation, if it has the Idea, but no longer the reality. Between both, man needs a new kingdom; a kingdom in which the Idea is represented by the individual and not only by the whole; a kingdom in which the particular appears gifted with the character of the universal and the necessary. Such a world, however, is not present within sense reality; such a world must first be created by man, and this world is the world of Art—a necessary third kingdom by the side of the kingdoms of the senses and of reason. [ 13 ] The comprehension of Art as this third kingdom is the task which the Science of Aesthetics must regard as its own. The divinity which the objects in Nature have lost must be implanted in them by man himself, and therein lies a noble task which accrues to the artist. He has, so to speak, to bring the kingdom of God on to this earth. This religious mission of Art, as it may well be called, is expressed by Goethe (in the book on Winckelmann) in the following glorious words: [ 14 ] ‘In that Man is placed on Nature's pinnacle, he regards himself as another whole Nature, whose task is to bring forth inwardly yet another pinnacle. For this purpose, he heightens his powers, imbuing himself with all perfections and virtues, calling on choice, order, harmony, and meaning, and finally rising to the production of the work of art, which takes a pre-eminent place by the side of his other actions and works. Once it is brought forth, once it stands before the world in its ideal reality, it produces a permanent effect—it produces the highest effect—for as it develops itself spiritually out of a unison of forces, it gathers into itself all that is glorious and worthy of devotion and love, and thus, breathing life into the human form, uplifts man above himself, completes the circle of his life and activity, deifies him for the present, in which the past and the future are included. Such were the feelings of those who beheld the Olympian Jupiter, as we can gather from the descriptions, narratives, and testimonies of the Ancients. The god had become man, in order to uplift man to a god. They beheld the highest dignity and were filled with enthusiasm for the highest beauty.’ [ 15 ] In these words, the significance of Art for the progress of civilisation was recognised. And it is characteristic of the mighty German Ethos, that it was the first to whom the recognition of this fact occurred; it is characteristic that all German philosophers, for the last hundred years, have struggled to find the most suitable scientific form for the peculiar way in which, in the work of art, spirit and object, idea and reality, melt into each other. The task of Aesthetics is none other than to comprehend the nature of this interpenetration, and to study it in detail, in the single forms in which it asserts itself, in the various branches of Art. The merit of having given a stimulus to this problem in the way indicated, and thereby to have set the ball rolling in connection with the chief, central questions of Aesthetics, must be ascribed to Kant's Critique of Judgment which appeared in 1790, and at once created a favourable impression on Goethe. In spite, however, of particularly serious work devoted to this subject, we are bound to admit to-day that an all-round satisfactory solution to these aesthetical problems is not forthcoming. The grand master of Aesthetics, that keen thinker and critic, Friedrich Theodor Vischer, held firmly to the end of his life, to his expressed conviction that the science of Aesthetics was still in its infancy. This amounts to an admission that all efforts in this field, including his own five volumes on Aesthetics, were in a more or less false direction. This is indeed the case, and if I may here express my own conviction, it can only be traced back to the circumstance that the fruitful seeds planted by Goethe were passed over unnoticed, and that he was not regarded as being scientifically competent. Had he, on the contrary, been so regarded, those ideas would merely have received a final development, with which Schiller was inspired in the contemplation of Goethe's genius, and which he set down in his letters on Aesthetical education. These letters, too, are held by writers intent on systems, to be insufficiently scientific, and yet they can be counted among the most important works ever produced in the field of Aesthetics. Schiller sets out from Kant, who determined the nature of the Beautiful in more than one respect. Kant first examines the reason of the pleasure we feel in the beautiful works of art. He finds this feeling of pleasure quite different from any other. Comparing it to the pleasure we feel when concerned with an object to which we owe an element of utility to ourselves, it is quite different. This pleasure is closely bound up with the desire for the existence of the object. Pleasure in the useful disappears when the useful is no longer there. Not so with the pleasure in the Beautiful. This pleasure has nothing to do with the possession, with the existence of the object, for it is not attached to the object but to the idea of the object. Whereas with the expedient and the useful, the need is felt to translate the idea into reality: we are content, in the case of the Beautiful, with the mere image. For this reason, Kant calls the feeling of delight in the Beautiful a feeling that is uninfluenced by any actual interest—a disinterested delight. It would, however, be quite erroneous to hold that conformity to purpose is thereby excluded from the Beautiful; this applies only to an exterior purpose. Hence is derived the second explanation of the Beautiful: It is something formed in itself in conformity to purpose, without, however, serving an exterior purpose. When we perceive an object in Nature, or a product of human skill, our intellect comes and inquires for its use and purpose, and is not satisfied until its question as to the ‘wherefore’ is answered. With the Beautiful, the ‘wherefore’ lies in the object itself, and the intellect does not need to reach out beyond it. At this point Schiller sets in, weaving the idea of Freedom into the sequence of thought in a way that does the greatest honour to human nature. To begin with, Schiller sets in opposition two human instincts which ceaselessly assert themselves. The first is the so-called material impulse, or the need to keep our senses open to the inpouring outer world. A rich gift presses in upon us, but without our being able to exert any determining influence on its nature. Here everything takes place with unconditional necessity. What we apprehend is determined from outside; here we are unfree, in subjection; we must simply obey the commands of physical (natural) necessity. The second is the formative impulse; that is none other than Reason, which brings law and order into the chaotic confusion of sense perceptions (external impressions). Through its work, system is introduced into experience. Here too, Schiller finds, we are not free; for in this work Reason is subjected to the unchanging laws of logic. We submit, in the first case, to necessity as imposed by Nature, and, in the second case, as imposed by Reason. Freedom seeks a haven of refuge from both. Schiller, emphasising the analogy between Art and the play of a child, assigns to Freedom the domain of Art. What is essentially the nature of play? Things possessed of reality are taken, and their general bearing altered at will. In this transformation of reality no law of logical necessity decides the issue—as, for instance, in the construction of a machine, where we must strictly conform to the laws of Reason; here everything is in the service of subjective necessity. The player connects things in a way that gives him pleasure; he imposes on himself no constraint. He pays no heed to physical, natural necessity, for he overcomes this constraint by putting to quite arbitrary use whatever passes into his hands. From Reason, too, and its necessity, he feels independent, for the order he introduces into things is his own invention. Thus the player impresses on reality the stamp of his own subjectivity and endows the latter with objective value. The separation of the activity of the two instincts comes to an end; they become united and thereby gain freedom: in the object is spirit, and the spirit is objective. Schiller, the poet of Freedom, sees in Art a free instinctive play, on a higher level, and exclaims with enthusiasm: ‘Man is fully Man only where he plays, and he only plays where he is Man in the fullest sense of the word.’ Schiller calls the basic instinct in Art, the play-instinct or impulse to play. It produces in the artist works, which, while existing for our senses, satisfy our reason; while the reason of which they partake, is simultaneously present for our senses in objective existence. And man's nature, at this stage, shows such activity, that his physical nature acts spiritually, while his spiritual nature acts physically. Physical nature is raised to the spirit, while the spirit sinks into physical nature. The former is thereby ennobled, and the latter is brought down from its clear height into the visible world. The works which thus come to existence are, to be sure, not fully true to Nature, because, in reality, spirit and object are never fully coincident; therefore when we compare the works of Art with the works of Nature, the former appear to us as mere semblance (appearance). But they must be semblance, because they would otherwise not be true works of Art. With his conception of semblance, in this connection, Schiller occupies a unique position among the writers on Aesthetics: he is unsurpassed and unrivalled. This is where the work should have continued. The one-sided solution to the problem of the Beautiful should have been extended with the help of Goethe's reflections on Art. Instead of this, Schelling appeared on the scene with a completely false theory, and inaugurated an error from which the science of Aesthetics in Germany never recovered. As all modern philosophers, Schelling finds that the highest task human effort can set itself, lies in the perception of the eternal, primal types of things. The spirit sweeps beyond the world of physical reality and rises to the heights where the divine is enthroned. There all truth and all beauty is revealed to him. Only the eternal is true and also beautiful. Thus, according to Schelling, no man can behold actual beauty who does not raise himself to the highest truth, for they are one and the same. All sensuous beauty is merely a weak reflection of that endless beauty which we can never perceive with our senses. We see where this leads to: the work of Art is not beautiful for its own sake and through its own self, but because it reproduces the Idea of Beauty. It follows, then, from this theory, that the purport of Art and Science is the same, since they both adopt as a basis eternal truth, which is also beauty. For Schelling, Art is only Science that has become objective. The important question now is: On what does our feeling of pleasure in the work of Art rest? In this case it rests merely on the expression of the Idea. The sensuous image is only a means of expression, the form in which a super-sensible purport expresses itself. In this respect, all the writers on Aesthetics follow the direction of Schelling's idealism. I cannot agree with the latest writer on this subject, E. von Hartmann, when he says that Hegel essentially improved on Schelling on this point. I say on this point, for in many other respects he towered above him. Hegel says actually: ‘The beautiful is the sensuous appearance of the idea.’ This amounts to an admission that, for him, the essential in Art was the expressed idea. This stands out still more clearly in the following words: ‘The hard crust of Nature and of the ordinary world make it more difficult for the spirit to penetrate to the idea, than is the case with works of Art.’ This is surely a clear statement that the goal of Art is the same as the goal of Science, namely, to penetrate to the Idea: Art seeks only to illustrate what Science expresses directly in forms of thought. Vischer calls beauty the appearance of the Idea, and likewise identifies the purport of Art with truth. In spite of all objections, beauty can never be separated from truth, if its essence is found in the expression of the Idea. But then it is not clear what independent mission Art is to have by the side of Science. What Art offers us, we can attain by way of thought, in a purer, clearer form, with no physical veil to shroud it. If this standpoint in Aesthetics be adopted, there is no escape, except through sophistry, from the compromising conclusion that allegory in the plastic arts, and didactic poetry in the poetic art, are the highest artistic forms. The independent significance of Art cannot be grasped, and Aesthetics, from this standpoint, have proved unproductive. It would be a mistake, however, to go too far, and, in consequence, abandon every attempt to attain a science of Aesthetics that is free from contradiction. They go too far in this direction, who would have Aesthetics assimilated by the history of the fine arts. If unsupported by authentic principles, this science merely becomes a storehouse for collections of notes on artists and their works, to which more or less clever remarks are appended; these, however, originating from arbitrary and subjective reasoning, are without value. On the other hand, a kind of physiology of taste has been set up in opposition to Aesthetics. The simplest and most elementary cases in which pleasure is felt are examined; then, mounting from these to more and more complicated cases, ‘Aesthetics from below’ are set up against ‘Aesthetics from above.’ This is the plan adopted by Fechner in his Introduction to Aesthetics. It is incomprehensible that such a work should have found adherents in a country which produced a Kant. Aesthetics should start from the examination of the feeling of pleasure; as though every feeling of pleasure were aesthetical, and as though the nature of the various feelings of pleasure could be distinguished by any other means than through the object itself which caused them. We only know that pleasure is an aesthetic feeling when we recognise the object to be beautiful, for, physiologically, there is nothing to distinguish aesthetic pleasure from any other. It is always a question of ascertaining the object. By virtue of what does an object become beautiful? This is the basic question in all Aesthetics. [ 13 ] We come much nearer to solving this question if we follow Goethe's lead. Merck describes Goethe's creative activity in the following words: ‘You create quite differently from the rest; they seek to embody the so-called imaginative—this produces only rubbish; you, however, seek to endow reality with a poetic form.’ These words convey about the same meaning as Goethe's own words in the second part of Faust: ‘Consider what thou will'st; still more consider how thou will'st.’ It is clearly stated what Art stands for. Not for the embodiment of the super-sensible, but for the transformation of the physical and the actual. Reality is not to be lowered to a means of expression: no, it is to be maintained in its full independence; only it must receive a new form, a form in which it satisfies us. If we remove any single being from its surroundings and observe it in this isolated condition, much in connection with it will appear incomprehensible. We cannot make it harmonise with the idea, the conception we necessarily apply to it. Its formation within reality is, in fact, not only the consequence of its own conformity to law; surrounding reality had a direct determining influence as well. Had it been able to develop itself independently, and free from external influence, only then would it have become a living presentment of its own Idea. The artist must grasp and develop this Idea on which the object is based, but whose free expansion within reality has been hampered. He must find within reality the point, starting from which, an object can be developed in its most perfect form. Nature falls short of her intention in every single instance; by the side of one plant she creates a second, a third, and so on; in no single plant is the whole Idea represented in concrete life; in one plant one side, in another plant another side is given, as circumstances permit. The artist must revert to Nature's tendency, as this appears to him. This is what Goethe means when he declares of his own creative activity: ‘I seek in everything a point from which much may be developed.’ In the artist's work the whole exterior must express the whole interior; in Nature's product the exterior falls short of the interior, and man's inquiring spirit must first ascertain it. Thus the laws in accordance with which the artist goes to work are none other than the eternal laws of Nature, pure, uninfluenced and unhampered. Artistic creation rests not on what is, but on what might be; not on the actual, but on the possible. The artist creates according to the same principles as Nature, but applies these principles to the individual, whereas, to use Goethe's own words, Nature pays no heed to the individual, ‘She ever builds and ever destroys,’ because her aim is perfection, not in the unit but in the totality. The content of any work of Art is any physical reality—this is what the artist wills; in giving it its form, he directs his efforts so as to excel Nature in her own tendency, and to achieve to a still higher degree than she is capable of, the results possible within her laws and means. [ 18 ] The object which the artist sets before us is more perfect than it is in its natural state, but it contains none other than its own inherent perfection. Where the object excels its own self—though on the basis of what is already concealed within it—there beauty is found. Beauty is therefore nothing unnatural: Goethe can say with good reason, ‘Beauty is a manifestation of secret laws, which, failing beauty, would have ever remained concealed;’ or, in another passage: ‘He to whom Nature reveals her manifest secret, yearns for Art, Nature's worthiest interpreter.’ If it may be said that beauty is unreal, since it represents something which can never be found within Nature in such perfection, so, too, can it be said in the same sense, that beauty is truer than Nature, since it represents what Nature intends to be but cannot be. On this question of reality in Art, Goethe says—and we may extend his words to apply to the whole of Art: ‘The poet's province is representation. This reaches its highest level when it competes with reality, that is, when the descriptions are so lifelike, through the spirit, that they may stand as present for all men.’ Goethe finds that ‘nothing in Nature is beautiful which is not also naturally true, in its underlying motive’ (Conversations with Eckermann, iii. 79). And the other side of appearance or semblance, when the being excels its own self, we find expressed as Goethe's view in the proverbs in prose, No. 978: ‘The law of vegetable growth appears in its highest manifestation in the blossom, and the rose is but the pinnacle of this manifestation. The fruit can never be beautiful, for there the vegetable law reverts to its own self—back to the mere law.’ Here we surely have it plainly stated: Where the Idea develops and unfolds, there beauty sets in—where we perceive the law directly in the outward phenomenon; where, on the other hand, as in the fruit, the outward phenomenon appears formless and gross, because there is no sign in it of the fundamental law underlying vegetable growth—there beauty in the natural product ceases. For this reason the same proverb goes on to say: ‘The law, as it engages itself in the phenomenon with the greatest freedom and according to its own inherent conditions, produces the objective-beautiful, which, to be sure, must find a worthy subject by which to be perceived.’ This view of Goethe's we find most definitely stated in a passage in the Conversations with Eckermann (ii. 106). ‘The artist, to be sure, must faithfully and devotedly follow Nature's pattern in the detail ... only in the higher regions of artistic activity, where actually a picture becomes a picture—there he has free play and may even proceed to fiction.’ Goethe gives as the highest goal of Art: ‘Through semblance to give the illusion of a higher reality. It were, however, a false effort to retain the semblance so long within reality, that finally a common reality were left.’ [ 19 ] Let us now ask ourselves what is the reason of pleasure felt in works of Art. We must realise that pleasure and satisfaction in the object of beauty are in no way inferior to the purely intellectual pleasure which we feel in the purely spiritual. It always points to a distinct decadence in Art when its province is sought in mere amusement and in the satisfaction of lower inclinations. The reason for pleasure in works of Art is none other than the reason for the joyful exultation which we feel in view of the world of Ideas generally, uplifting man out of himself. What is it, then, that gives us such satisfaction in the world of Ideas? Nought else than the heavenly inner tranquillity and perfection which it harbours. No contradiction, no dissonance stirs in the thought-world which rises within our inner self, for it is itself an infinite. Inherent in this picture is everything which makes it perfect. This native perfection of the world of Ideas—this is the reason of our exultation when we stand before it. If beauty is to exalt us in the like manner, then it must be fashioned after the pattern of the Idea. This is quite a different thing from what the German writers on Aesthetics of the idealist school would have. This is not the Idea in the form of a phenomenon; it is just the contrary; it is a phenomenon in the form of the Idea. The content of Beauty, the material basis on which it rests, is thus always an actual positive reality, and the form in which it is presented is the form of the Idea. We see exactly the contrary is true to what German Aesthetics say; the latter simply turned things upside down. Beauty is not the divine in a cloak of physical reality; no, it is physical reality in a cloak that is divine. The artist does not bring the divine on to the earth by letting it flow into the world; he raises the world into the sphere of the divine. Beauty is semblance, because it conjures before our senses a reality which, as such, appears as an ideal world. Consider what thou will'st, still more consider how thou will'st—for on the latter everything turns. What is given remains physical, but the manner of its appearance is ideal. Where the ideal form appears in the physical to best advantage, there Art is seen to reach its highest dignity. Goethe says here: ‘The dignity of Art appears perhaps most eminently in music, because in music there is no material factor to be discounted. Music is all form and figure, exalting and ennobling everything it expresses.’ A science of Aesthetics starting from this definition: ‘Beauty is a physical reality appearing as though it were Idea’—such a science does not exist: it must be created. It can be called straight away the ‘Aesthetics of Goethe's world-conception.’ And this is the science of Aesthetics of the future. E. von Hartmann, one of the latest writers on this subject and the author of an excellent ‘Philosophy of Beauty,’ also cherishes the old error, that the content of Beauty is the Idea. He says quite rightly that the basic conception from which the science of the beautiful should proceed, is the conception of aesthetic semblance. Yes, but how can the manifestation of the world of Ideas, as such, ever be regarded as semblance. The Idea is surely the highest truth: when the Idea appears, it does so out of truth, and not as semblance. It is a real semblance, however, when the natural (physical) and the individual, arrayed in the imperishable raiment of eternity, appear with the character of the Idea; for reality falls short of this. [ 20 ] Taken in this sense, the artist appears as the continuator of the cosmic Spirit. The former pursues creation where the latter relinquishes it. The closest tie of kinship seems to unite the artist with the cosmic Spirit, and Art appears as the continuation of Nature's process. Thus the artist raises himself above the life of common reality, and he raises us with him when we devote ourselves to his work. He does not create for the finite world, he expands beyond it. This conception we find expressed by Goethe in his poem, ‘The Artist's Apotheosis,’ where he makes the Muse call to the Poet in the following words:
[ 21 ] In this poem, Goethe's thoughts on what I may call the cosmic mission of the artist are most aptly expressed. [ 22 ] Who, like Goethe, ever grasped in Art such deep significance? Who ever endowed Art with such dignity? It speaks sufficiently for the whole depth of his conceptions, when he says: ‘The great works of art are brought into existence by men, as are the great works of Nature, in accordance with true and natural laws; all arbitrary phantasy falls to the ground; there is Necessity, there is God.’ A science of Aesthetics in his spirit were certainly no bad thing. And this might apply also to other departments of modern science. [ 23 ] When, at the death of the poet's last heir, Walter von Goethe, 15th April, 1885, the treasures of the Goethe House became accessible to the nation, many, no doubt, shrugged their shoulders at the zeal of the scholars as they seized on the smallest posthumous remnant and handled it as a precious relic—the value of which, in connection with research should by no means be despised. But Goethe's genius is unfathomable; it cannot be taken in at a glance; we can only draw near to it gradually from different sides. And for this purpose we must welcome everything; what appears a worthless detail, gains significance when we consider it in connection with the poet's comprehensive view of the world. Only when we traverse the whole gamut of expressive activity in which this universal spirit gave vent to his life—only then does the essential in him, his own tendency, from which everything with him originated, and which represents a culmination of humanity, appear before our soul. Only when this tendency becomes the common property of all who strive spiritually; when the belief becomes general that we have not only to understand Goethe's conception of the world, but that we must live in it and it must live in us—only then will Goethe have fulfilled his mission. This conception of the world must be a sign for all members of the German people and far beyond it, in which they can meet and know each other in a life of common endeavour.
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30. Truth and Verisimilitude in a Work of Art
27 Aug 1898, Rudolf Steiner |
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Why is the greatest fame gained by the actor who most perfectly expresses the feelings, who comes closest to truth in dialogue, posture, gesticulation, who cheats me into believing that what I am beholding is not an imitation but the thing itself?” The attorney for the artist undertakes to argue that all this is far from justifying the spectator in demanding that persons and events on the stage must be so presented as to seem actual. |
If one could succeed to the extent of showing the ape that pictures of beetles are not to be eaten, the ape would never understand why pictured beetles exist at all—since they cannot be eaten. So it is with the aesthetically uncultivated. It may be possible to bring him to the point of seeing that a work of art is not to be treated like something for sale in the market. But, since he would still understand only such a relationship as he can acquire to things he finds in the market, he will fail to see the reason for the existence of a work of art. |
30. Truth and Verisimilitude in a Work of Art
27 Aug 1898, Rudolf Steiner |
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The question “What kind of truth should be demanded of a work of art?” is discussed comprehensively by Goethe in the form of a very interesting imaginary conversation. What is there presented outweighs whole volumes more recently written on this topic. Since the interest in the question at present prevailing is as vivid as the confusion is great, it may not be amiss to recall here the principal ideas expressed by Goethe. His point of departure is the representation of “a theatre in a theatre.” “On a German stage,” he says, “there was represented an oval structure of a somewhat amphitheatrical form with many spectators painted in the boxes as if they were witnessing what took place below them. Many members of the actual audience seated in the parquet and the boxes were dissatisfied with this, offended at the idea that anyone could impose upon them something so untrue and improbable. In this connection there occurred a conversation of which the approximate content is here recorded.” The conversation takes place between an attorney, representing the artist, who considers that he solved his problem correctly in producing the picture of the spectators, and an actual member of the audience, who is not satisfied with the painted spectators, because he demands the truth of nature. This spectator requires that “everything shall at least seem to be true and real.” “Otherwise,” he asks, “why would a decorator take such pains to draw every line with the utmost precision according to the laws of perspective, to paint every object strictly in accordance with the principles of light and shade? Why is study devoted to costumes? Why such heavy expenditure permitted for the sake of accuracy, in order to transport me back into those times? Why is the greatest fame gained by the actor who most perfectly expresses the feelings, who comes closest to truth in dialogue, posture, gesticulation, who cheats me into believing that what I am beholding is not an imitation but the thing itself?” The attorney for the artist undertakes to argue that all this is far from justifying the spectator in demanding that persons and events on the stage must be so presented as to seem actual. On the contrary, what he ought to demand is that he shall never for one moment have the impression of beholding reality, but always that of semblance, though a semblance of reality. At first the spectator thinks the attorney is indulging in a mere quibble. To this impression Goethe very admirably has the attorney reply: “And I may respond that, when the subject of discussion is the action of our minds, there are no words delicate and subtle enough for the purpose, so that such word play indicates an actual necessity of the mind, which, since we cannot express directly what takes place within us, seeks to achieve this by means of antitheses, by answering the question from two sides, getting hold of the thing, as it were, in the middle between the two.” Persons accustomed to the crass and crude concepts produced by every-day existence often see nothing but needless quibbling in the delicate differentiations among concepts that must be made by one who desires to grasp the subtle and infinitely complicated relationships within reality. Certainly it is true that clever battling with words may enable one to establish a system based upon words alone, but the person who establishes the system is not always responsible for the fact that words are void of concepts. It may frequently happen that one who hears the word simply fails to associate a concept with it. Very often does it become a matter for amusement when people complain that they cannot connect any ideas with the words of some philosopher. They always assume that the blame belongs to the philosopher—but it is often the fault of the readers, who simply possess no capacity for thinking, whereas the philosopher has thought a very great deal. There is a marked difference between “seeming real” arid “having the appearance of reality.” Representation on the stage is obviously an appearance. One may hold the opinion that the appearance must have such a character as to create the illusion of reality. Or one may be convinced that the appearance should truly indicate: “I am no reality; I am appearance only.” When appearance possesses this honest character, it cannot derive its laws from reality; it must possess laws of its own, not identical with those belonging to reality. The person who desires an artistic appearance which apes reality will say everything in a theatrical representation must proceed just as it would if the process had actually occurred. He who wishes a theatrical appearance which shows itself truly as an appearance will say, on the contrary, that much within a stage representation must proceed in a manner different from that of reality; that the laws of interrelationship within a dramatic occurrence are different from those in real life. In other words, one who holds such a conviction must admit that there exist in art laws of interrelationship among facts for which no model is found in nature. Such laws are mediated by fantasy. Fantasy does not create on the model of nature; it creates, side by side with the truth of nature, a higher truth of art. This conviction Goethe causes the attorney for the artist to affirm. “The true in art and the true in nature,” he declares, “are wholly dissimilar, and the artist is neither required nor permitted to make his work seem an actual work of nature.” Only those artists will seek to provide the truth of nature in their works who are deficient in fantasy and for this reason are unable to create anything artistically true, but must borrow from nature if they are to bring anything into existence. And only those spectators will demand the truth of nature in works of art who do not possess a sufficient degree of aesthetic culture to rise to the level of demanding a special truth in art side by side with the truth of nature. They know only the true which they experience in daily life; and, when confronted by art, they ask: “Does this artistic thing correspond with the reality with which we are acquainted?” The person of artistic cultivation is aware of something true in a different sense from that pertaining to ordinary reality. This other aspect of truth lie seeks in art. Goethe causes the attorney for the artist to clarify the difference between a person with artistic culture and one devoid of this by means of a homely but highly pertinent example, as follows: “A great scientist possessed among his domestic animals an ape. He once missed the ape and found him, after long search, in his library. The animal was seated on the floor, surrounded by scattered etchings from an unbound work on natural history. Astonished at this zealous study on the part of this friend of the family, the gentleman approached and perceived—to his amazement and vexation—that the epicurean ape had bitten out all pictures of beetles he had found scattered through the book.” The ape is acquainted only with beetles true according to nature, and the manner in which he conducts himself in ordinary life toward such beetles is that of eating them. In the illustrations, he was confronted not by reality but only by appearance. He takes appearance for reality, and behaves toward it accordingly. Those persons who take artistic appearance as a reality are in the situation of the ape. When they witness on the stage a scene of abduction or of love-making, they wish to derive from such things just what they derive from similar scenes in actuality. In Goethe's conversation the spectator is led through the example of the ape to a more correct view of artistic enjoyment. He asks: “Does not the uncultivated devotee inevitably demand that the work of art should be naturalistic for the very reason that he may thus enjoy it in a natural way—often crude and commonplace?” A work of art requires enjoyment on a higher level than a work of nature. One who has not implanted this higher form of enjoyment in himself through aesthetic cultivation is like the ape that eats the pictured beetles instead of observing them and thereby gaining scientific knowledge. The lawyer voices this truth in the statement: “A perfect work of art is a work of the human spirit, and in this sense also a work of nature. But the fact that the scattered objects are grasped as a unity, and even the most commonplace of these included according to its significance and worth, lifts it above the level of nature. It requires for its comprehension a spirit harmonious through innate character and through discipline, and such a spirit finds the excellent, the perfect, likewise, in accordance with his own nature. The ordinary dilettante has no conception of this; he deals with a work of art as with something for sale in the market, but the true connoisseur sees not only the correctness of the imitation but also the special excellence of the matter chosen, the brilliance of the composition, the super- earthly character of the miniature world of art. He feels that he must raise himself to the level of the artist in order to enjoy the work of art; that he must gather himself together out of his distracted life, must live with the work of art, viewing it again and again, thereby bestowing upon himself a new level of existence.” Art that strives to attain only the truth of nature, the mere aping of the commonplace every-day actuality, is discredited the moment one senses within oneself the possibility of attaining the higher existence 'mentioned above as a prerequisite. This possibility can be sensed in its reality by each person only with respect to himself. For this reason, a universally convincing refutation of naturalism is an impossibility. One who knows only the every-day commonplace actuality will always cling to naturalism. One who discovers in himself the capacity for perceiving above the entity of nature a special entity of art will feel that naturalism constitutes the aesthetic philosophy of Philistines. When this becomes clear, one will not battle against naturalism with the weapons of logic or any other weapons. For such a conflict would be like an attempt to prove to the ape that pictures of. beetles are to be observed and not to be eaten. If one could succeed to the extent of showing the ape that pictures of beetles are not to be eaten, the ape would never understand why pictured beetles exist at all—since they cannot be eaten. So it is with the aesthetically uncultivated. It may be possible to bring him to the point of seeing that a work of art is not to be treated like something for sale in the market. But, since he would still understand only such a relationship as he can acquire to things he finds in the market, he will fail to see the reason for the existence of a work of art. This is the approximate content of Goethe's conversation to which we are referring. It is clear that we have here a treatment on a high level of questions which are today being probed into afresh by many persons. The investigation of these and other matters would be needless if people would take the trouble to assimilate the ideas of those who have already dealt with these things against the background of a culture of unparalleled elevation. |
30. Two Essays on Haeckel: Haeckel and His Opponents
Rudolf Steiner |
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[ 5 ] The doubt as to the view that there underlies each distinct organic species a special plan of organisation, unchangeable for all time, took firm hold upon Darwin upon a journey which he undertook to South America and Australia in the summer of 1831 as naturalist on the ship Beagle. |
Now, the organic forms living in Nature are in general purposefully adapted to the conditions under which they live. A mere glance into Nature will teach one the truth of this fact. Plant and animal species are so constructed that they can maintain and reproduce themselves in the conditions under which they live. |
As a bit cut out of the general happening of the world, the human will stands under the same laws as all other natural things and processes. It is conditioned according to natural law. |
30. Two Essays on Haeckel: Haeckel and His Opponents
Rudolf Steiner |
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Preface[ 1 ] I am convinced that my work, The Philosophy of Freedom, published some five years ago, gives the outline of a world-conception which is in complete harmony with the stupendous results of the natural science of our time. I am also conscious that I did not intentionally bring about this harmony. My road was quite independent of that which natural science follows. [ 2 ] From this independence of my own way of looking at things in regard to the province of knowledge that is dominant in our day, and from its simultaneous, complete agreement therewith, I believe myself entitled to draw my justification for presenting the position of that monumental representative of the scientific mode of thought, Ernst Haeckel, in the intellectual battle of our time. [ 3 ] Doubtless there are to-day many who feel the need for clearing up matters with regard to natural science. This need can best be satisfied by penetrating deeply into the ideas of that seeker into Nature who has most unreservedly drawn the full conclusions of scientific premises. I desire to address myself in this little book, to those who share with me a like need in this respect. Rudolf SteineR [ 4 ] Goethe has given glorious expression, in his book upon Winkelmann, to the feeling which a man has when he contemplates his position within the world: “When the healthy nature of man works as a whole, when he feels himself in the world as in a great, beautiful, worthy, and valuable whole, when harmonious contentment yields him pure, free rapture, then would the universe, could it but feel itself, burst forth into rejoicing at having attained its goal, and admire the summit of its own becoming and being.” From out of this feeling there arises the most important question that man can ask himself: how is his own becoming and being linked with that of the whole world? Schiller, in a letter to Goethe of 23rd August, 1794, admirably characterises the road by which Goethe sought to come to a knowledge of human nature. “From the simple organism you ascend step by step to the more complex, in order finally to build up the most complex of all, man, genetically from the materials of the entire structure of nature.” Now this road of Goethe's is also that which natural science has been following for the last forty years, in order to solve “the question of questions for humanity.” Huxley sees the problem to be the determination of the position which “man occupies in nature, and his relation to the totality of things.” It is the great merit of Charles Darwin to have created a new scientific basis for reflection upon this question. The facts which he brought forward in 1859 in his work, The Origin of Species, and the principles which he there developed, gave to natural research the possibility of showing, in its own way, how well founded was Goethe's conviction that Nature, “after a thousand animal types, forms a being that contains them all—man.” To-day we look back upon forty years of scientific development, which stand under the influence of Charles Darwin's line of thought. Rightly could Ernst Haeckel say in his book, On our Present Knowledge of Man's Origin, which reproduces an address delivered by him at the Fourth International Congress of Zoologists in Cambridge on 26th August, 1898: “Forty years of Darwinism! What a huge progress in our knowledge of Nature! And what a revolution in our weightiest views, not only in the more closely affected departments, but also in that of anthropology, and equally in all the so-called psychological sciences.” Goethe, from his profound insight into Nature, foresaw to its full extent this revolution and its significance for the progress of man's intellectual culture. We see this particularly clearly from a conversation which he had with Soret on 2nd August, 1830. At that time the news of the beginning of the Revolution of July reached Weimar and caused general excitement. When Soret visited Goethe, he was received with the words: “Now, what do you think of this great event? The volcano has burst into eruption; all is in flames, and it is no longer a conference behind closed doors!” Soret naturally could only believe that Goethe was speaking of the July Revolution, and replied that under the known conditions nothing else could be expected than that it would end with the expulsion of the Royal family. But Goethe had something quite different in his mind. “1 am not talking of those people at all; I am concerned with quite other things. I am speaking of the conflict, so momentous for science, between Cuvier and Geoffroy de Saint-Hilaire that has come to a public outbreak in the Academy.” The conflict concerned the question whether each species in which organic nature finds expression possesses a distinct architectural plan of its own, or whether there is one plan common to them all. Goethe had already settled this question for himself forty years earlier. His eager study of the plant and animal worlds had made him an opponent of the Linnæan view, that we “count as many species as different forms were created in the beginning (in principio).” Anyone holding such an opinion can only strive to discover what are the plans upon which the separate species are organised. He will seek above all carefully to distinguish these separate forms. Goethe followed another road. “That which Linnaeus strove forcibly to hold apart was bound, according to the innermost need of my being, to strive after reunion.” Thus there grew up in him the view which, in 1796, in the Lectures upon the three first chapters of A General Introduction to Comparative Anatomy, he summed up in the sentence: “This, then, we have gained, that we can unhesitatingly maintain that all complete organic natures—among which we see fishes, amphibia, birds, mammals, and, as the head of the last, man—have all been shaped according to one original type, which only inclines more or less to this side or the other in its constant parts, and yet daily develops and transforms itself by reproduction.” The basic type, to which all the manifold plant-forms may be traced back, had already been described by Goethe in 1790 in his Attempt to Explain the Metamorphosis of Plants. This way of regarding things, by which Goethe endeavoured to recognise the laws of living nature, is exactly similar to that which he demands for the inorganic world in his essay, written in 1793, Experiment as Mediator between Object and Subject: “Nothing happens in Nature which is not in some connection with the whole, and if experiences only appear to us as isolated, if we can only regard experiments as isolated facts, that does not imply that they actually are isolated; it is only the question: How shall we find the connection of these phenomena, these occurrences?” Species also appear to us only in isolation. Goethe seeks for their connection. Hence it clearly appears that Goethe's effort was directed to apply the same mode of explanation to the study of living beings as has led to the goal in that of inorganic nature.1 How far he had run ahead of his time with such conceptions becomes apparent when one reflects that at the same time when Goethe published his Metamorphosis, Kant sought to prove scientifically, in his Critique of Judgment, the impossibility of an explanation of the living according to the same principles as hold for the lifeless. He maintained: “It is quite certain that we cannot even adequately learn to know, far less explain to ourselves, the organised beings and their inner possibility according to purely mechanical principles of nature; and, indeed, it is so certain that we can boldly say it is senseless for man even to conceive such a purpose, or to hope that sometime perhaps a Newton may arise who will make comprehensible the production of a blade of grass according to natural laws which no purpose has ordered; rather one must simply and flatly deny any such insight to man.” Haeckel repudiates this thought with the words: “Now, however, this impossible Newton really appeared seventy years later in Darwin, and, as a matter of fact, solved the problem whose solution Kant had declared to be absolutely unthinkable!” That the revolution in scientific views brought about by Darwinism must take place, Goethe knew full well, for it corresponds with his own way of conceiving things. In the view which Geoffroy de Saint-Hilaire defended against Cuvier, that all organic forms carry in them a “general plan modified only here and there,” he recognised his own again. Therefore he could say to Soret: “Now, however, Geoffroy de Saint-Hilaire is decidedly on our side, and with him all his important disciples and followers in France. This event is for me of quite extraordinary value, and I rejoice rightly over the general victory gained at length by a cause to which I have devoted my life, and which is most especially my very own.” Of still greater value for Goethe's view of Nature are, however, the discoveries of Darwin. Goethe's view of Nature is related to Darwinism in a way similar to that in which the insights of Copernicus and Kepler into the structure and movements of the planetary system are related to the discovery by Newton of the law of the universal attraction of all heavenly bodies. This law reveals the scientific causes, why the planets move in the manner which Copernicus and Kepler had described. And Darwin found the natural causes, why the common original type of all organic beings, which Goethe assumed, makes its appearance in the various species. [ 5 ] The doubt as to the view that there underlies each distinct organic species a special plan of organisation, unchangeable for all time, took firm hold upon Darwin upon a journey which he undertook to South America and Australia in the summer of 1831 as naturalist on the ship Beagle. As to how his thought ripened, we get an idea in reaching such communications from him as the following: “When, during the voyage of the Beagle, I visited the Galapagos Archipelago, which lies in the Pacific Ocean some five hundred English miles from the South American coast, I saw myself surrounded by peculiar kinds of birds, reptiles, and snakes, which exist nowhere else in the world. Yet they almost all bore upon them an American character. In the song of the mocking thrush, in the sharp cry of the carrion hawk, in the great chandelier-like Opuntico, I clearly perceived the neighbourhood of America; and yet these islands were separated from the mainland by so many miles, and differed widely from it in their geological constitution and their climate. Yet more surprising was the fact that most of the inhabitants of each separate island of this small archipelago were specifically different, although closely related to one another. I often asked myself, then, how these peculiar animals and men had originated. The simplest answer seemed to be that the inhabitants of the different islands descend from one another, and in the course of their descent had undergone modifications, and that all the inhabitants of the archipelago had descended from those of the nearest mainland, viz., America, from which naturally the colonisation would proceed. But it long remained for me an unintelligible problem: how the necessary degree of modification could have been attained.” As to this “how,” it was the numerous breeding experiments which he tried, after his return home, with pigeons, fowls, dogs, rabbits, and garden plants that enlightened Darwin. He saw from them in how high a degree there lies in organic forms the possibility of continually modifying themselves in the course of their reproduction. It is possible, by creating artificial conditions, to obtain from a given form after a few generations new kinds, which differ much more from each other than do those in Nature, whose difference is regarded as so great that one inclines to ascribe to each a special underlying plan of organisation. As is well known, the breeder utilises this variability of kinds to bring about the development of such forms of domesticated organisms as correspond with his intentions. He endeavours to create the conditions which guide the variation in a direction answering his purpose. If he seeks to breed a kind of sheep with specially fine wool, he seeks out among his flock those individuals which have the finest wool. These he allows to breed. From among their descendants he again selects for further breeding those which have the finest wool. If this is carried on through a series of generations, a species of sheep is obtained which differs materially from its ancestors in the formation of its wool. The same thing can be done with other characteristics of living creatures. From these facts two things become obvious: that organic forms have a tendency to vary, and that they pass on the acquired modifications to their descendants. Owing to this first property of living creatures, the breeder is able to develop in his species certain characteristics that answer his purposes; owing to the second, these new characteristics are handed on from one generation to the next. [ 6 ] The thought now lies close at hand, that in Nature also, left to itself, the forms continually vary. And the great power of variation of domesticated organisms does not force us to assume that this property of organic forms is confined within certain limits. We may rather presuppose that in the lapse of vast time-periods a certain form transforms itself into a totally different one, which in its formation diverges from the former to the utmost extent imaginable. The most natural inference then, is this, that the organic species have not arisen independently, each according to a special plan of structure, alongside each other; but that in course of time they have evolved the one from the other. This idea gains support from the views at which Lyell arrived in the history of the earth's development, and which he first published in 1830 in his Principles of Geology. The older geological views, according to which the formation of the earth was supposed to have been accomplished in a series of violent catastrophes, were thereby superseded. Through this doctrine of catastrophes it was sought to explain the results to which the investigation of the earth's solid crust had led. The different strata of the earth's crust, and the fossilised organic creatures contained in them, are of course the vestiges of what once took place on the earth's surface. The followers of the doctrine of violent transformations believed that the development of the earth had been accomplished in successive periods, definitely distinguished from one another. At the end of such a period there occurred a catastrophe. Everything living was destroyed, and its remains preserved in an earth-stratum. On the top of what had been destroyed there arose a completely new world, which must be created afresh. In the place of this doctrine of catastrophes, Lyell set up the view that the crust of the earth has been gradually moulded in the course of very long periods of time, by the same processes which still in our time are going on every day on the earth's surface. It has been the action of the rivers carrying mud away from one spot and depositing it on another; the work of the glaciers, which grind away rocks and stones, forward blocks of stone, and analogous processes, which, in their steady, slow working have given to the earth's surface its present configuration. This view necessarily draws after it the further conclusion that the present-day forms of plants and animals also have gradually developed themselves out of those whose remains are preserved for us in fossils. Now, it results from the processes of artificial breeding that one form can really transform itself into another. There remains only the question, by what means are those conditions for this transformation, which the breeder brings about by artificial means, created in Nature itself? [ 7 ] In artificial breeding human intelligence chooses the conditions so that the new forms coming into existence answer to the purposes which the breeder is following out. Now, the organic forms living in Nature are in general purposefully adapted to the conditions under which they live. A mere glance into Nature will teach one the truth of this fact. Plant and animal species are so constructed that they can maintain and reproduce themselves in the conditions under which they live. [ 8 ] It is just this purposeful arrangement which has given rise to the supposition that organic forms cannot be explained in the same way as the facts of inorganic Nature. Kant observes in his Critique of Judgment: “The analogy of the forms, in so far as they seem to be produced in accordance with a common basic plan, despite all differences, strengthens the presumption of a real relationship between them in their generation from a common mother through an approach, step by step, of one animal species to another. ... Here, therefore, it is open to the archaeologist of Nature to cause to arise that great family of creatures (for one would be forced to conceive them thus if the thoroughgoing connected relationship spoken of is to hold good) from the traces left over of her older revolutions, according to all their known and supposed mechanisms. But he must equally for that purpose ascribe to this common mother an organisation purposely fitted to all these creatures, for otherwise the purposive form of the products of the plant and animal kingdoms is unthinkable as to its possibility.” [ 9 ] If we would explain organic forms after the same manner in which natural science deals with inorganic phenomena, we must demonstrate that the particular arrangement of the organisms—devoid of a purposeful object—comes into being by reason of what is practically natural necessity, even as one elastic ball after having been struck by another is fulfilling a law as it rolls along. This requirement has its fulfilment in Darwin's teachings regarding natural selection. Even in Nature organic forms must, in accordance with their capacity for assimilating modifications which have been brought about by artificial breeding, become transformed. Should there be nothing available for directly bringing about the change, so that none but the forms aimed at should come into existence, there will be, regardless of choice, useless, or less useful, forms called into being. Now, Nature is extremely wasteful in the bringing forth of her germs. So many germs are, indeed, produced upon our earth, that were they all to attain to development we should soon be able to fill several worlds with them. This great number of germs is confronted with but a comparatively small amount of food and space, the result of this being a universal struggle for existence among organic beings. Only the fit survive and fructify; the unfit have to go under. The fittest, however, will be those who have adapted themselves in the best possible way to the surrounding conditions of life. The absolutely unintentional, and yet—from natural causes—necessary, struggle for existence brings in its train the same results as are attained by the intelligence of the breeder with his cultivated organisms: he creates purposeful (useful) organic forms. This, broadly sketched, is the meaning of Darwin's theory of natural selection in the struggle for existence; or, otherwise, the “selective theory.” By this theory, that which Kant held to be impossible is reached: the thinking out in all its possibilities of a predetermined form in the animal and vegetable kingdom, without assuming the Universal Mother to be dowered with an organism directly productive of all these creatures. [ 10 ] As Newton by pointing out the general attraction of the heavenly bodies showed why they moved in the set courses determined by Copernicus and Kepler, so did it now become possible to explain with the help of the theory of selection how in Nature the evolution of the living thing takes place, the course of which Goethe, in his Metamorphosis of Plants, has observed: “We can, however, say this, namely, that proceeding from a relationship that is hardly distinguishable between animal and plant, creatures do little by little evolve, carrying on their development in opposite directions—the plant finally reaching its maturity in the form of the tree, and the animal finding its culminating glory in man's freedom and activity.” Goethe has said of his ancestors: “I shall not rest until I have found a pregnant point from which many deductions may be made; or, rather, one that will forcibly bestow upon me the overflow of its own abundance.” The theory of selection became for Ernst Haeckel the point from which he was able to deduce a conception of the universe entirely in accordance with natural science. [ 11 ] At the beginning of the last century Jean Lamarck also maintained the view that, at a certain moment in the earth's development, a most simple organic something developed itself, by spontaneous generation, out of the mechanical, physical, and chemical processes. These simplest organisms then produced more perfect ones, and these again others more highly organised, right up to man. “One might therefore quite rightly name this part of the theory of evolution, which asserts the common origin of all plant and animal species from the simplest common root-forms, in honour of its most deserving founder, Lamarckianism” (Haeckel, Natural History of Creation). Haeckel has given in grandiose style an explanation of Lamarckianism by means of Darwinism. [ 12 ] The key to this explanation Haeckel found by seeking out the evidences in the individual development of the higher organisms—in their ontogeny—showing that they really originated from lower forms of life. When one follows out the form-development of one of the higher organisms from the earliest germ up to its fully developed condition, the different stages are found to present configurations corresponding to the forms of lower organisms.2 At the outset of his individual existence man and every other animal is a simple cell. This cell divides itself, and from it arises a germinal vesicle consisting of many cells. From that develops the so-called “cup-germ,” the two-layered gastrula, which has the shape of a cup- or jug-like body. Now, the lower plant-animals (sponges, polyps, and so on) remain throughout their entire existence on a level of development which is equivalent to this cup-germ. Haeckel remarks thereupon: “This fact is of extraordinary importance. For we see that man, and generally every vertebrate, runs rapidly, in passing, through a two-leaved stage of formation, which in these lowest plant-animals is maintained throughout life” (Anthropogenesis). Such a parallelism between the developmental stages of the higher organisms and the developed lower forms may be followed out through the entire evolutionary history. Haeckel clothes this fact in the words: “The brief ontogenesis or development of the individual is a rapid and abbreviated repetition, a condensed recapitulation of the prolonged phylogenesis or development of the species.” This sentence gives expression to the so-called fundamental biogenetic law. Why then do the higher organisms in the course of their development come to forms which resemble lower ones? The natural explanation is that the former have developed themselves out of the latter; that therefore every organism in its individual development shows us one after another the forms which have clung to it as heirlooms from its lower ancestors. [ 13 ] The simplest organism that once upon a time formed itself on earth, transforms itself in the course of reproduction into new forms. Of these, the best adapted in the struggle for existence survive, and transmit their peculiarities to their descendants. All the formations and qualities which an organism exhibits at the present time have arisen in the lapse of enormous time-periods by adaptation and inheritance. Heredity and adaptation are thus the causes of the world of organic forms. [ 14 ] Thus, by investigating the relationship of individual developmental history (ontogeny) to the history of the race (phylogeny), Haeckel has given the scientific explanation of the manifold organic forms.3 As a natural philosopher he has satisfied the human demand for knowledge, which Schiller had derived from observation of Goethe's mind; he ascended from the simple organisations step by step to the more complicated, to finally build up genetically the most complex of all, man, from the materials of the whole structure of Nature. He has set forth his view in several grandly designed works—in his General Morphology (1866), in his Natural History of Creation (1868), in his Anthropogenesis (1874)—in which he “undertook the first and hitherto the only attempt to establish critically in detail the zoological family-tree of man, and to discuss at length the entire animal ancestry of our race.” To these works there has been further added in recent years his three-volumed Systematic Phylogeny. [ 15 ] It is characteristic of Haeckel's deeply philosophical nature that, after the appearance of Darwin's Origin of Species, he at once recognised the full significance for man's entire conception of the Universe, of the principles therein established; and it speaks much for his philosophical enthusiasm that he boldly and tirelessly combated all the prejudices which arose against the acceptance of the new truth by the creed of modern thought. The necessity that all modern scientific thinking should reckon with Darwinism was expounded by Haeckel at the fiftieth meeting of German scientists and doctors on the 22nd September, 1877, in his address, The Present Theory of Evolution in Relation to Science as a Whole. He delivered a widely-embracing Confession of Faith of a Man of Science on the 9th October, 1892, in Altenburg at the seventy-fifth anniversary of the Society for Natural Science of the Osterland. (This address was printed under the title, Monism as a link between Religion and Science, Bonn, 1892.) What has been yielded by the remodelled doctrine of evolution and our present scientific knowledge towards the answering of the “question of questions,” he has recently expounded in its broad lines in the address mentioned above, On our Present Knowledge as to the Origin of Man. Herein Haeckel handles afresh the conclusion, which follows as a matter of course from Darwinism for every logical thinker, that man has developed out of the lower vertebrates, and further, more immediately from true apes. It has been, however, this necessary conclusion which has summoned to battle all the old prejudices of theologians, philosophers, and all who are under their spell. Doubtless, people would have accepted the emergence of the single animal and plant forms from one another if only this assumption had not carried with it at once the recognition of the animal descent of man. “It remains,” as Haeckel emphasised in his Natural History of Creation, “an instructive fact that this recognition—after the appearance of the first Darwinian work—was in no sense general, that on the contrary numerous critics of the first Darwinian book (and among them very famous names) declared themselves in complete agreement with Darwinism, but entirely rejected its application to man.” With a certain appearance of justice, people relied in so doing on Darwin's book itself, in which no word is said of this application. Because he drew this conclusion unreservedly, Haeckel was reproached with being “more Darwinian than Darwin.” True, that held good only till the year 1871, in which appeared Darwin's work, The Descent of Man and Sexual Selection, in which Darwin himself maintained that inference with great boldness and clearness. [ 16 ] It was rightly recognised that with this conclusion must fall a conception belonging to the most treasured among the collection of older human prejudices: the conception that the “soul of man” is a special being all to itself, having quite another, a different, “higher origin” from all other things in Nature. The doctrine of descent must naturally lead to the view that man's soul-activities are only a special form of those physiological functions which are found in his vertebrate ancestors, and that these activities have evolved themselves with the same necessity from the mental activities of the animals, as the brain of man, which is the material condition of his intellect, has evolved out of the vertebrate brain. [ 17 ] It was not only the men with old conceptions of faith nurtured in the various ecclesiastical religions who rebelled against the new confession, but also all those who had indeed apparently freed themselves from these conceptions of faith, but whose minds nevertheless still thought in the sense of these conceptions. In what follows the proof will be given that to this latter class of minds belong a series of philosophers and scientific scholars of high standing who have combated Haeckel, and who still remain opponents of the views he advocated. To these ally themselves also those who are entirely lacking in the power of drawing the necessary logical conclusions from a series of facts lying before them. I wish here to describe the objections which Haeckel had to combat. II[ 18 ] A bright light is thrown upon the relationship of man to the higher vertebrates, by the truth which Huxley, in 1863, expressed in his volume on Man's Place in Nature, and other Anthropological Essays: “Thus whatever system of organs be studied, the comparison of their modifications in the ape series leads to one and the same result—that the structural differences which separate man from the gorilla and the chimpanzee are not so great as those which separate the gorilla from the lower apes” (see Man and the Lower Animals, p. 144). With the help of this fact it is possible to establish man's animal line of ancestry in the sense of the Darwinian doctrine of descent. Man has common ancestors with the apes in some species of apes that have died out. By a corresponding utilisation of the knowledge which comparative anatomy and physiology, individual developmental history, and palaeontology supply, Haeckel has followed the animal ancestors of man lying still more remotely in the past, through the semi-apes, the marsupials, the earliest fishes, right up to the very earliest animals consisting only of a single cell. He is fully entitled to ask: “Are the phenomena of the individual development of man in any way less wonderful than the palaeontological development from lower organisms? Why should not man have evolved in the course of enormous periods of time from unicellular original forms, since every individual runs through this same development from the cell to the fully developed organism?” [ 19 ] But it is also by no means easy for the human mind to construct for itself conceptions in accordance with Nature as regards the unfoldment of the single organism from the germ up to the developed condition. We can see this from the ideas which a scientist like Albrecht von Haller (1708-1777) and a philosopher like Leibnitz (1646-1716) formed about this development. Haller maintained the view that the germ of an organism already contains in miniature, but fully and completely formed in advance, all the parts which make their appearance during its development. Thus, development is taken to be not the formation of something new in what is already present, but the unfolding of something that was already there but invisible to the eye because of its minuteness. But if this view were correct, then in the first germ of an animal or vegetable form all following generations must be already contained like boxes one inside the other. And Haller actually drew this conclusion. He assumed that in the first human germ of our root-mother, Eve, the entire human race was already present in miniature. And even Leibnitz also can only imagine the development of men as an unfoldment of what already exists: “So I should opine that the souls, which some day will be human souls, were already there in germ, like those of other species, that they existed in man's ancestors up to Adam, therefore from the beginning of things, always in the form of organised bodies.” [ 20 ] The human understanding has a tendency to imagine to itself that anything coming into existence was somehow already there, in some form or other, before its manifestation. The entire organism is supposed to be already hidden in the germ; the distinct organic classes, orders, families, species, and kinds are supposed to have existed as the thoughts of a creator before they actually came into existence. Now, however, the idea of evolution demands that we should conceive the arising of something new, of something later, from out of something already present, of something earlier. We are called upon to understand that which has become, out of the becoming. That we cannot do, if we regard all that has become as something which has always been there. [ 21 ] How great the prejudices are that the idea of evolution had to face was clearly shown by the reception which Caspar Friedrich Wolff's Theoria Generationis, which appeared in 1759, met with among the men of science who accepted Haller's views. It was demonstrated in this book that in the human ovum not even a trace of the form of the developed organism is present, but that its development consists in a series of new formations. Wolff defended the idea of a real evolution, an epigenesis, a becoming from what is not present, as against the view of seeming evolution. Haeckel says of Wolff's book that it “belongs, in spite of its small size and awkward language, to the most valuable writings in the whole field of biological literature. ...” Nevertheless, this remarkable book had at first no success whatever. Although scientific studies, as a result of the stimulus imparted by Linnaeus, flourished mightily at that time, although botanists and zoologists were soon counted no longer by dozens but by hundreds, yet no one troubled himself about Wolff's Theory of Generation. The few, however, who had read it, held it to be fundamentally wrong, and especially Haller. Although Wolff proved by the most accurate observations the truth of epigenesis, and disproved the current hypotheses of the preformation doctrine, nevertheless the “exact” physiologist Haller remained the most zealous follower of the latter and rejected the correct teaching of Wolff with his dictatorial edict: “There is no becoming” (Nulla est epigenesis!). With so much power did human thinking set itself against a view, of which Haeckel (in his Anthropogenesis) remarks: “To-day we can hardly any longer call this theory of epigenesis a theory, because we have fully convinced ourselves of the correctness of the fact, and can demonstrate it at any moment with the help of the microscope.” [ 22 ] How deep-rooted is the prejudice against the idea of evolution can be seen at any moment by the objections which our philosophical contemporaries make against it. Otto Liebmann, who, in his Analysis of Reality and his Thoughts and Facts, has subjected the fundamental views of science to criticism, expresses himself in a remarkable manner about the conception of evolution. In face of the facts, he cannot deny the justice of the conception that higher organisms proceed from lower. He therefore endeavours to represent the range and importance of this conception for the higher need of explanation as being as small as possible. “Accepted, the theory of descent ... granted that it be complete, that the great genealogical register of Nature's organic beings lies open before us; and that, not as an hypothesis, but as historically proven fact, what should we then have? A gallery of ancestors, such as one finds also in princely castles; only not as a fragment, but as a completed whole.” This means that nothing of any consequence has been accomplished towards the real explanation, when one has shown how what appears later proceeds as a new formation from what preceded. Now it is interesting to see how Liebmann's presuppositions lead him yet again to the assumption that what arises on the road of evolution was there already before its appearance. In the recently published second part of his Thoughts and Facts he maintains: “It is true that for us, to whom the world appears in the form of perception known as time, the seed is there before the plant; begetting and conception come before the animal that arises from them, and the development of the embryo into a full-grown creature is a process of time and drawn out in time to a certain length. In the timeless world-being, on the contrary, which neither becomes nor passes away, but is once and for all, maintaining itself unchangeably amid the stream of happenings, and for which no future, no past, but only an eternal present exists, this before and after, this earlier and later, falls away entirely. ... That which unrolls itself for us in the course of time as the slower or more rapidly passing succession of a series of phases of development, is in the omnipresent, permanent world-being a fixed law, neither coming into existence nor passing away.” The connection of such philosophical conceptions with the ideas of the various religious doctrines as to the creation may be easily seen. That purposefully devised beings arise in Nature, without there being some fundamental activity or power which infuses that purposefulness into the beings in question, is something that neither these religious doctrines nor such philosophical thinkers as Liebmann will admit. The view that accords with Nature follows out the course of what happens, and sees beings arise which have the quality of purposefulness, without this same purpose having been a co-determinant in their production. The purposefulness came about along with them; but the purpose did not co-operate in their becoming.4 The religious mode of conception has recourse to the Creator, who has created the creatures purposefully according to his preconceived plan; Liebmann turns to a timeless world-being, but he still makes that which is purposeful be brought forth by the purpose. “The goal or the purpose is here not later, and also not earlier than the means; but the purpose helps it on in virtue of a timeless necessity.” (Thoughts and Facts, pt. ii, p. 268.) Liebmann is a good example of those philosophers who have apparently freed themselves from the conceptions of faith, but who still think altogether on the lines of such conceptions. They profess that their thoughts are determined purely by reasonable considerations, but none the less it is an innate theological prejudice which gives the direction to their thoughts. [ 23 ] Reasoned reflection must therefore agree with Haeckel when he says: “Either organisms have naturally developed themselves, and in that case they must all originate from the simplest common ancestral forms—or that is not the case, the various species of organisms have arisen independently of one another, and in that case they can only have been created in a supernatural manner, by a miracle. Natural evolution or supernatural creation of species—we must choose between these two possibilities, for there is no third!” (Free Science and Free Teaching, p. 9.) What has been proffered by philosophers or scientists as such a third alternative against the doctrine of natural evolution shows itself, on closer examination, to be only a belief in creation which more or less veils or denies its origin. [ 24 ] When we raise the question as to the origin of species in its most important form, in that which concerns the origin of man, there are only two answers possible. Either a consciousness endowed with reason is not present prior to its actual appearance in the world, but evolves as the outcome of the nervous system concentrated in the brain; or else an all-dominating world-reason exists before all other beings, and so shapes matter that in man its own image comes into being. Haeckel (in Monism as the Link between Religion and Science, p. 21) describes the becoming of the human mind as follows: “As our human body has slowly and step by step built itself up from a long series of vertebrate ancestors, so the same thing holds good of our soul: as a function of our brain it has developed itself step by step in interaction with that organ. What we term for short the ‘human soul’ is indeed only the sum-total of our feeling, willing, and thinking—the sum-total of physiological functions whose elementary organs consist of the microscopic ganglionic cells of our brain. Comparative anatomy and ontogeny show us how the marvellous structure of the latter, of our human soul-organ, has built itself upwards gradually in the course of millions of years out of the brain-forms of the higher and lower vertebrates; while comparative psychology shows us how, hand in hand therewith, the very soul itself—as a function of the brain—has evolved itself. The latter shows us also how a lower form of soul activity is already present in the lowest animals, in the unicellular protozoa, infusoria, and rhizopods. Every scientist who, like myself, has observed through long years the life-activity of these unicellular protista, is positively convinced that they also possess a soul; this ‘cell-soul,’ too, consists of a sum of feelings, representations, and volitions; the feeling, thinking, and willing of our human soul is only different therefrom in degree.” The totality of human soul-activities, which find their highest expression in unitary self-consciousness, corresponds to the complex structure of the human brain,5 just as simple feeling and willing do to the organisation of the protozoa. The progress of physiology, which we owe to investigators like Goltz, Münk, Wernicke, Edinger, Paul Flechsig, and others, enables us to-day to assign particular soul-manifestations to definite parts of the brain as their special functions. We recognise in four tracts of the grey matter of the cortex the mediators of four kinds of feeling: the sphere of bodily organic feeling in the meso-cranum lobule, that of smell in the frontal lobule, that of vision in the chief basal lobule, that of hearing in the temple lobule. The thinking which connects and orders the sensations has its apparatus between these four “sense-foci.” Haeckel links the following remark to the discussion of these latest physiological results: “The four thought-foci, distinguished by peculiar and highly complicated nerve-structure from the intervening sense-foci, are the true organs of thought, the only real tools of our mental life” (On our Present Knowledge as to the Origin of Man, P-15). [ 25 ] Haeckel demands from the psychologists that they shall take such results as these into account in their explanations about the nature of the soul, and not build up a mere pseudo-science composed of a fantastic metaphysic, of one-sided, so-called inner observation of soul-events, uncritical comparison, misunderstood perceptions, incomplete experiences, speculative aberrations and religious dogmas. As against the reproach that is cast by this view at the old-fashioned psychology, we find in some philosophers and also in individual scientists the assertion that there cannot in any case be contained in the material processes of the brain that which we class together as mind and spirit; for the material processes in the areas of sense and thought are in no case representations, feelings, and thoughts, but only material phenomena. We cannot learn to know the real nature of thoughts and feelings through external observation, but only through inner experience, through purely mental self-observation. Gustav Bunge, for instance, in his address Vitalism and Mechanism, p. 12, explains: “In activity—therein lies the riddle of life. But we have not acquired the conception of activity from observation through the senses, but from self-observation, from the observation of willing as it comes into our consciousness, as it reveals itself to our inner sense.” Many thinkers see the mark of a philosophical mind in the ability to rise to the insight that it is a turning upside down of the right relation of things, to endeavour to understand mental processes from material ones. [ 26 ] Such objections point to a misunderstanding of the view of the world which Haeckel represents. Anyone who has really been saturated with the spirit of this view will never seek to explore the laws of mental life by any other road than by inner experience, by self-observation. The opponents of the scientific mode of thought talk exactly as if its supporters sought to discover the truths of logic, ethics, aesthetics, and so forth, not by means of observing mental phenomena as such, but from the results of brain-anatomy. The caricature of the scientific world-conception thus created by such opponents for themselves is then termed materialism, and they are untiring in ever repeating afresh that this view must be unproductive, because it ignores the mental side of existence, or at least gives it a lower place at the expense of the material. Otto Liebmann, whom we may here cite once more, because his anti-scientific conceptions are typical of the mode of thought of certain philosophers and laymen, observes: “But granting, however, that natural science had attained its goal, it would then be in a position to show me accurately the physico-organic reasons why I hold that the assertion ‘twice two are four’ is true and assert it, and the other assertion ‘twice two are five’ is false and combat it, or why I must, just at this moment, write these very lines on paper the while I am entangled in the subjective belief that this happens because I will to write them down on account of their truth as assumed by me” (Thoughts and Facts, pt. ii, p. 294 et seq.). No scientific thinker will ever be of opinion that bodily-organic reasons can throw any light upon what, in the logical sense, is true or false. Mental connections can only be recognised from the side of the mental life. What is logically justified, must always be decided by logic; what is artistically perfect, by the aesthetic judgment. But it is an altogether different question to inquire: How does logical thinking, or the aesthetic judgment arise as a function of the brain? It is on this question only that comparative physiology and brain-anatomy have anything to say. And these show that the reasoning consciousness does not exist in isolation for itself, only utilising the human brain in order to express itself through it, as the piano-player plays on the piano; but that our mental powers are just as much functions of the form-elements of our brain, as “every force is a function of a material body” (Haeckel, Anthropogenesis, pt. ii, p. 853). [ 27 ] The essence of Monism consists in the assumption that all occurrences in the world, from the simplest mechanical ones upwards to the highest human intellectual creations, evolve themselves naturally in the same sense, and that everything which is called in for the explanation of appearances, must be sought within that same world. Opposed to this view stands Dualism, which regards the pure operation of natural law as insufficient to explain appearances, and takes refuge in a reasoning being ruling over the appearances from above. Natural science, as has been shown, must reject this dualism. [ 28 ] Now, however, it is urged from the side of philosophy that the means at the disposal of science are insufficient to establish a world-conception. From its own standpoint science was entirely right in explaining the whole world-process as a chain of causes and effects, in the sense of a purely mechanical conformity to law; but behind these laws, nevertheless, there is hidden the real cause, the universal world-reason, which only avails itself of mechanical means in order to realise higher, purposeful relations. Thus, for instance, Arthur Drews, who follows in the path of Eduard von Hartmann, observes: “Human works of art, too, are produced in a mechanical manner, that is when one looks only at the outward succession of single moments, without reflecting on the fact that after all there is hidden behind all this only the artist's thought; nevertheless one would rightly take that man for a fool who would perchance contend that the work was produced purely mechanically ... that which presents itself as the inevitable effect of a cause, on that lower standpoint which contents itself with merely gazing at the effects and thus contemplates the entire process as it were from behind, that very same thing reveals itself, when seen from the front, in every case as the intended goal of the means employed” (German Speculation since Kant, vol. ii, p. 287 et seq.). And Eduard von Hartmann himself remarks about the struggle for existence which renders it possible to explain living creatures naturally: “The struggle for existence, and therewith the whole of natural selection, is only the servant of the Idea, who is obliged to perform the lower services in its realisation, namely, the rough hewing and fitting of the stones that the master-builder has measured out and typically determined in advance according to their place in the great building. To proclaim this selection in the struggle for existence as the essentially adequate principle of explanation of the evolution of the organic kingdom, would be on a par with a day-labourer, who had worked with others in preparing the stones in the building of Cologne Cathedral, declaring himself to be the architect of that work of art” (Philosophy of the Unconscious, 10th ed., vol. iii, p. 403). [ 29 ] If these conceptions were justified, it would be the task of philosophy to seek the artist behind the work of art. In fact, philosophers have tried the most various and diverse dualistic explanations to account for Cosmic processes. They have constructed in thought certain entities, supposed to hover behind the phenomena as the spirit of the artist rules behind the work of art. [ 30 ] No scientific consideration would be able to rob man of the conviction that perceptible phenomena are guided by beings outside the world, if he could find within his own consciousness anything that pointed to such beings. What could anatomy and physiology accomplish with their declaration that soul-activities are functions of the brain, if observation of these activities yielded anything which could be regarded as a higher ground for an explanation? If the philosopher were able to show that a universal world-reason manifests itself in human reason, then all scientific results would be powerless to refute such knowledge. [ 31 ] Now, however, the dualistic world-conception is disproved by nothing more effectively than by the consideration of the human mind. When I want to explain an external occurrence—for instance, the motion of an elastic ball which has been struck by another, I cannot stop short at the mere observation, but must seek the law which determines the direction of motion and velocity of the one ball from the direction and velocity of the other. Mere observation cannot furnish me with such a law, but only the linking together in thought of what happens. Man, therefore, draws from his mind the means of explaining that which presents itself to him through observation. He must pass beyond the mere observation, if he wants to comprehend it. Observation and thought are the two sources of our knowledge about things; and that holds good for all things and happenings, except only for the thinking consciousness itself. To that we cannot add by any explanation anything that does not lie already in the observation itself. It yields us the laws for all other things; it yields us at the same time its own laws also. If we want to demonstrate the correctness of a natural law, we accomplish this by distinguishing, arranging observations and perceptions, and drawing conclusions—that is, we form conceptions and ideas about the experiences in question with the help of thinking. As to the correctness of the thinking, thought itself alone decides. It is thus thought which, in regard to all that happens in the world, carries us beyond mere observation, though it does not carry us beyond itself. [ 32 ] This fact is incompatible with the dualistic world-conception. The point which the supporters of this conception so often emphasise, namely, that the manifestations of the thinking consciousness are accessible to us through the inner sense of introspection, while we only comprehend physical and chemical happenings when we bring into the appropriate connections the facts of observation through logical, mathematical combination, and so on; in other words, through the results of the psychological domain: this fact is the very thing which they should never admit. For let us for once draw the right conclusion from the knowledge that observation transforms itself into self-observation when we ascend from the scientific into the psychological domain. If a universal world-reason underlay the phenomena of nature, or some other spiritual primordial being (for instance, Schopenhauer's will or von Hartmann's unconscious spirit), then it follows that the human thinking spirit must also be created by this world-being. An agreement of the conceptions and ideas which the mind of man forms from phenomena, with the actual laws proper to these occurrences, would only be possible if the ideal world-artist called forth in the human soul the laws according to which he had previously created the entire world. But then man could only know his own mental activity through observation of the root-being by whom he is shaped, and not through self-observation. Indeed, there could be no self-observation, but only observation of the intentions and purposes of the primordial being. Mathematics and logic, for example, ought not to be developed by means of man's investigating the inner, proper nature of mental connections, but by his deducing these psychological truths from the intentions and purposes of the eternal world-reason. If human understanding were only the reflection of an eternal mind, then it could never possibly ascertain its own laws through self-observation, but must needs explain them from out of the eternal reason. But whenever such an explanation has been attempted, it is simply human reason which has been transferred to the world outside. When the mystic believes that he rises to the contemplation of God by sinking down into his own inner being, in reality he merely sees his own spirit, which he makes into God; and when Eduard von Hartmann speaks of ideas which utilise the laws of Nature as their hodmen-helpers in order to shape the building of the world, these ideas are only his own, by means of which he explains the world. Because observation of the manifestations of mind is self-observation, therefore it follows that it is man's own spirit which expresses itself in the mind, and not any external reason. [ 33 ] The monistic doctrine of evolution, however, is in complete agreement with the fact of self-observation. If the human soul has evolved itself slowly and step by step along with the organs of the soul out of lower conditions, then it is self-evident that we can explain its development from below scientifically, though we can discover the inner nature of that which emerges from the complex structure of the human brain only from the contemplation of this very nature itself. Had spirit been always present in a form resembling the human, and had it at last created its likeness in man alone, then we ought to be able to deduce the human spirit from the All-spirit; but if man's spirit has arisen as a new formation in the course of natural evolution, then we can understand its origin by following out its line of ancestry; we learn to know the stage at which it has at last arrived when we contemplate that spirit itself. [ 34 ] A philosophy that understands itself, and turns its attention to an unprejudiced contemplation of the human spirit, thus yields a further proof of the correctness of the monistic world-conception. It is, however, quite incompatible with a dualistic natural science. (The further development and detailed proof of a monistic philosophy, the basic ideas of which I can only indicate here, I have given in my =The Philosophy of Freedom, Berlin, 1894, Verlag Emil Felber.) [ 35 ] For one who understands aright the monistic world-conception, all the objections urged against it from the side of ethics lose all significance. Haeckel has repeatedly pointed out the injustice of such objections, and also called attention to the fact that the assertion that scientific monism must needs lead to ethical materialism, either rests upon a complete misunderstanding of the former, or else aims at nothing more than casting suspicion upon it. [ 36 ] Naturally monism regards human conduct only as a part of the general happenings of the world.6 It makes that conduct just as little dependent upon a so-called higher moral world-order, as it makes the happenings in Nature dependent upon a supernatural order. “The mechanical or monistic philosophy maintains that, everywhere in the phenomena of human life, as in those of the rest of nature, fixed and unalterable laws rule, that everywhere there exists a necessary causal connection, a causal nexus of appearances, and that in accordance therewith the entire world knowable to us constitutes a uniform whole, a 'monon.' It maintains further that all phenomena are produced by mechanical causes, not by preconceived purposive causes. There is no such thing as a ‘free will’ in the ordinary sense. On the contrary, those very phenomena which we have accustomed ourselves to view as the freest and most independent, the manifestations of the human will, appear in the light of the monistic world-conception as subordinated to just as rigid laws as any other phenomenon of nature” (Haeckel, Anthropogenesis, p. 851 et seq.). It is the monistic philosophy which first shows the phenomenon of free will in the right light. As a bit cut out of the general happening of the world, the human will stands under the same laws as all other natural things and processes. It is conditioned according to natural law. But inasmuch as the monistic view denies the presence of higher, purposeful causes in the course of Nature, it at the same time also declares the will independent of such a higher world-order. The natural course of evolution leads the processes of Nature upwards to human self-consciousness. On that level it leaves man to himself; henceforward he can draw the impulses of his action from his own spirit. If a universal world-reason were ruling, then man also could not draw his goals from within himself, but only from this eternal reason. In the monistic sense man's action is hereafter determined by causal moments; in the ethical sense it is not determined, because Nature as a whole is determined not ethically but in accordance with natural law. The preliminary stages of ethical conduct are already to be found among the lower organisms. “Even though later the moral foundations have in man developed themselves much more highly, nevertheless their most ancient, prehistoric source lies, as Darwin has shown, in the social instincts of the animals” (Haeckel, Monism, p. 29). Man's moral conduct is a product of evolution. The moral instinct of animals perfects itself, like everything else in Nature, by inheritance and adaptation, until man sets before himself moral purposes and goals from out of his own spirit. Moral goals appear not as predetermined by a supernatural world-order, but as a new formation within the natural process. Regarded ethically, “that only has purpose which man has first endowed therewith, for only through the realisation of an idea does anything purposeful arise. But only in man does the idea become effective in a realistic sense. To the question, What is man's task in life? Monism can only answer, that which he sets himself. My mission in the world is no (ethically) predetermined one; on the contrary, it is, at every moment, that which I elect for myself. I do not enter on life's journey with a fixed, settled line of march” (cp. my The Philosophy of Freedom, p. 172 et seq.). Dualism demands submission to ethical commands derived from somewhere or other. Monism throws man wholly upon himself. Man receives ethical standards from no external world-being, but only from the depths of his own being. The capacity for creating for oneself ethical purposes may be called moral phantasy. Thereby man elevates the ethical instincts of his lower ancestors into moral action, as through his artistic phantasy he reflects on a higher level in his works of art the forms and occurrences of Nature. [ 37 ] The philosophical considerations which result from the fact of self-observation thus constitute no refutation, but rather an important complement of the means of proof in favour of the monistic world-conception, derived from comparative anatomy and physiology. III[ 38 ] The famous pathologist, Rudolf Virchow,6 has taken up a quite peculiar position towards the monistic world-conception. After Haeckel had delivered his address on The Present Theory of Evolution in Relation to Science as a Whole at the fiftieth congress of German scientists and doctors, in which he ably expounded the significance of the monistic world-conception for our intellectual culture and also for the whole system of public instruction, Virchow came forward four days later as his opponent with the speech: The Freedom of Science in the Modern State. At first it seemed as if Virchow wanted monism excluded from the schools only, because, according to his view, the new doctrine was only an hypothesis and did not represent a fact established by definite proofs. It certainly seems remarkable that a modern scientist wants to exclude the doctrine of evolution from school-teaching on the ostensible ground of lack of unassailable proofs while at the same time speaking in favour of Church dogma. Does not Virchow even say (on p. 29 of the speech mentioned): “Every attempt to transform our problems into set formula, to introduce our suppositions as the basis of instruction, especially the attempt simply to dispossess the Church and replace its dogmas without more ado by a ‘descent-religion;’ yes, gentlemen, this attempt must fail entirely, and in its frustration this attempt will also bring with it the greatest dangers for the whole position of science!” One must needs, however, here raise the question—meaningless for every reasonable thinker—Have we more certain proofs for the Church's dogmas than for the “descent-religion?” But it results from the whole tone and style in which Virchow spoke that he was much less concerned about warding off the dangers which monism might cause to the teaching of the young than about his opposition on principle to Haeckel's world-conception as a whole. This he has proved by his whole subsequent attitude. He has seized upon every opportunity that seemed to him suitable to combat the natural history of evolution and to repeat his favourite phrase, “It is quite certain that man does not descend from the ape.” At the twenty-fifth anniversary of the German Anthropological Society, on 24th August, 1894, he even went so far as to clothe this dictum in the somewhat tactless words: “On the road of speculation people have come to the ape theory; one might just as well have arrived at an elephant theory or a sheep theory.” Of course, this utterance has not the smallest sense in view of the results of comparative zoology. “No zoologist,” remarks Haeckel, “would consider it possible that man could have descended from the elephant or the sheep. For precisely these two mammals happen to belong to the most specialised branches of hoofed animals, an order of mammalia which stands in no sort of direct connection with that of the apes or primates (excepting their common descent from an ancestral form common to the entire class).” Hard as it may be towards a meritorious scientist, one can only characterise such utterances as Virchow's as empty verbalism.7 In combating the theory of descent, Virchow follows quite peculiar tactics. He demands unassailable proofs for this theory. But as soon as natural science discovers anything which is capable of enriching the chain of proofs with a fresh link, he seeks to weaken its probatory force in every way. The theory of descent sees in the famous skulls of Neanderthal, Spy, etc., isolated palaeontological remains of extinct races of lower men, which form a transition-link between the ape-like ancestor of man (Pithecanthropus) and the lower human races of the present day. Virchow declares these skulls to be abnormal, diseased formations, pathological productions. He even developed this contention in the direction of maintaining that all deviations from the fixed organic root-forms must be regarded as pathological formations. If, then, by artificial breeding we produce table-fruit from wild fruit, we have only produced a diseased object in Nature. One cannot prove more effectively the thesis of Virchow (hostile to any theory of evolution), “The plan of organisation is unalterable within the species, kind does not depart from kind,” than by declaring that what shows plainly how kind departs from kind, is not a healthy, natural product of evolution, but a diseased formation. Quite in accord with this attitude of Virchow's to the theory of descent were, further, his assertions in regard to the skeleton remains of the man-ape (Pithecanthropus erectus), which Eugen Dubois found in Java in 1894. It is true that these remains—the top of the skull, a thigh-bone, and some teeth—were incomplete; and a debate that was most interesting arose about them in the Zoological Congress at Leyden. Out of twelve zoologists, three were of opinion that the remains were those of an ape, three that they were those of a human being, while six defended the view that they belonged to an extinct transition form, between man and ape. Dubois set out in a most lucid manner the relation of this intermediate link between man and ape, on the one hand to the lower races of humanity, on the other to the known anthropoid apes. Virchow declared that the skull and the thigh-bone did not belong together; but that the former came from an ape, the latter from a human being. This assertion was refuted by well-informed palaeontologists, who, on the basis of the conscientious report of the find, expressed themselves as of opinion that not the smallest doubt could exist as to the origin of the bony remains from one and the same individual. Virchow tried to prove that the thigh-bone could only have come from a man, from the presence of a bony outgrowth which could only proceed from an illness that had been cured through careful human nursing. As against that, the palaeontologist Marsh showed that similar bony outgrowths occur also in wild apes. A third assertion of Virchow's, that the deep groove between the upper edge of the eye sockets and the low roof of the skull in Pithecanthropus bore witness to its simian nature, was refuted by the palaeontologist Nehring's showing that the same formation existed in a human skull from Santos in Brazil. [ 39 ] Virchow's fight against the evolution doctrine appears indeed somewhat of a riddle when one reflects that this investigator, at the beginning of his career, before the publication of Darwin's Origin of Species, defended the doctrine of the mechanical basis of all vital activity. In Würzburg, where Virchow taught from 1848 to 1856, Haeckel sat “reverentially at his feet and first heard with enthusiasm from him that clear and simple doctrine.” But Virchow fights against the doctrine of transformation created by Darwin, which furnishes an all-embracing principle of explanation of that doctrine. When, in the face of the facts of palaeontology, of comparative anatomy and physiology, he constantly emphasises that “definite proof” is lacking, one can only point out, on the other side, that knowledge of the facts alone does indeed not suffice for the recognition of the doctrine of evolution, but there is needed in addition—as Haeckel remarks—a “philosophical understanding” as well. “The unshakable structure of true monistic science arises only through the most intimate interaction and mutual penetration of philosophy and experience” (Haeckel, Natürliche Schöpfungsgeschichte, 34, Vortrag). In any case, the campaign which Virchow has carried on for many years past against the doctrine of descent, with the applause of theological and other reactionaries, is more dangerous than all the mischief which a “descent-religion” can cause in unripe heads. A technical discussion on the point with Virchow is made difficult by the fact that, fundamentally, he remains standing on a bare negation, and in general does not bring forward any specific technical objections against the doctrine of evolution. [ 40 ] Other scientific opponents of Haeckel's make it easier for us to attain clearness in regard to them because they give the reasons for their opposition, and we can thus recognise the mistakes in their inferences. Among these are to be reckoned Wilhelm His and Alexander Goette. [ 41 ] His made his appearance in the year 1868 with his Researches as to the First Beginnings of the Vertebrate Body. His attack was primarily directed against the doctrine that the form-development of a higher organism from the first germ to the fully-developed condition can be explained from the evolution of the type. We ought not, according to him, to explain this development by regarding it as the outcome of the generations from which the single organism descends through inheritance and adaptation, but we should seek in the individual organism itself the mechanical causes of its becoming, without regard to comparative anatomy and ancestral history. His starts from the view that the germ, conceived as a uniform surface, grows unequally at different spots, and he asserts that in consequence of this unequal growth the complex structure of the organism results in the course of development. He says: “Take a simple layer and imagine that it possesses at different places a different impulse to enlargement. One will then be able to develop from purely mathematical and mechanical laws the condition in which the formation must find itself after a certain time. Its successive forms will accurately correspond to the stages of development which the individual organism runs through from the germ to the perfected condition. Thus we do not need to go beyond the consideration of the individual organism in order to understand its development, but can deduce this from the mechanical law of growth. “All formation, whether consisting in cleavage, in the formation of folds, or in complete separation, follows as a consequence from this fundamental law.” The law of growth brings into existence the two pairs of limbs as follows: “Their disposition is determined, like the four corners of a letter, by the crossing of four folds which limit and bound the body.” His rejects any help drawn from the history of the species, with the following justification: “When the history of development for any given form has thoroughly fulfilled the task of its physiological deduction, then it may rightly say of itself that it has explained this form as an individual form” (cp. His, Unsere Körperform und das physiologische Problem ihrer Entstehung). In reality, however, nothing whatever has been accomplished by such an explanation. For the question still remains: Why do different forces of growth work at different spots in the germ? They are simply assumed by His to exist. The explanation can only be seen in the fact that the relations of growth of the individual parts of the germ have been transmitted by inheritance from the ancestral animals, that therefore the individual organism runs through the successive stages of its development because the changes which its forefathers have undergone through long ages continue to operate as the cause of its individual becoming. [ 42 ] To what consequences the view of His leads may best be seen from his theory as to the orbital lobule, by which the so-called “rudimentary organs” of the organism were to be explained. These are parts which are present in the organism without possessing any sort of significance for its life. Thus man has a fold of skin at the inner corner of his eye which is without any purpose for the functions of the organ of sight. He possesses also muscles corresponding to those by which certain animals can move their ears at will. Yet most people cannot move their ears. Some animals possess eyes which are covered over with a skin and thus cannot serve for seeing. His explains these organs as being such, to which “up to the present it has not been possible to assign any physiological role, analogous to the snippets, which, in cutting out a dress, cannot be avoided even with the most economical use of the stuff.” The evolution theory gives the only possible explanation of them. They are inherited from remote ancestors, in whom they subserved a useful purpose. Animals which to-day live underground and have no seeing eyes, descend from such ancestors as once lived in the light and needed eyes. In the course of many generations the conditions of life of such an organic stock have changed. The organisms have adapted themselves to the new conditions in which they can dispense with organs of sight. But these organs remain as heirlooms from an earlier stage of evolution; only in the course of time they have become atrophied, because they have not been used. These rudimentary organs8 form one of the strongest means of proof for the natural theory of evolution. If any deliberate intentions whatever had ruled in the building up of an organic form, whence came these purposeless parts? There is no other possible explanation of them, except that in the course of many generations they have gradually fallen into disuse. [ 43 ] Alexander Goette, also, is of opinion that it is unnecessary to explain the developmental stages of the individual organism by the roundabout road through the history of the species. He deduces the shaping of the organism from a “law of form” which must superadd itself to the physical and chemical processes of matter in order to form the living creature. He endeavoured to defend this standpoint exhaustively in his Entwickelungs-geschichte der Unke (1875). “The essence of development consists in the complete but gradual introduction into the existence of certain natural bodies of a new moment, determined from without, viz., that of the law of form.” Since the law of form is supposed to superadd itself from without to the mechanical and physical properties of matter, and not to develop itself from these properties, it can be nothing else but an immaterial idea, and we have nothing given us therein which is substantially different from the creative thoughts, which, according to the dualistic world-conception, underlie organic forms. It is supposed to be a motive-power existing outside of organised matter and causing its development. That means, it employs the laws of matter as “helpers,” just like Eduard von Hartmann's idea. Goette is forced to call in the help of this “law of form,” because he believes that “the individual developmental history of organisms” alone explains and lies at the basis of their whole shaping. Whoever denies that the true causes of the development of the individual being are an historical result of its ancestral development, will be driven of necessity to have recourse to such ideal causes lying outside of matter. [ 44 ] Weighty evidence against such attempts to introduce ideal formative forces into the developmental history of the individual, is afforded by the achievements of those investigators who have really explained the forms of higher living creatures on the assumption that these forms are the hereditary repetition of innumerable historical changes in the history of the species, which have occurred during long ages. A striking example in this respect is the “vertebral theory of the skull-bones,” already dimly anticipated by Goethe and Oken, but first set in the right light by Carl Gegenbauer on the basis of the theory of descent. He demonstrated that the skull of the higher vertebrates, and also that of man, has arisen from the gradual transformation of a “root-skull” whose form is still preserved by the “root-fishes,” or primordial gastrea, in the formation of the head. Supported by such results, Gegenbauer therefore remarks rightly: “The descent theory will likewise find a touch-stone in comparative anatomy. Hitherto there existed no observation in comparative anatomy which contradicts it; all observations rather lead us towards it. Thus that theory will receive back from comparative anatomy what it gave to its method: clearness and certainty” (cp. the Introduction to Gegenbauer's Vergleichende Anatomie). The descent theory has directed science to seek for the real causes of the individual development of each organism in its ancestry; and natural science on this road replaces the ideal laws of development which might be supposed to superpose themselves on organic matter, by the actual facts of the ancestral history, which continue to operate in the individual creature as formative forces. [ 45 ] Under the influence of the theory of descent, science is ever drawing nearer to that great goal which one of the greatest scientists of the century, Karl Ernst von Baer, has depicted in the words: “It is one fundamental thought which runs through all forms and stages of animal evolution and dominates all particular conditions. It is the same fundamental thought which gathered together the scattered masses of the spheres in universal space and formed them into solar systems; the same thought caused the disintegrated dust on the surface of the planet to sprout forth into living forms. But this thought is nothing else but Life itself, and the words and syllables wherein it expresses itself are the various forms of that which lives.” Another utterance of Baer's gives the same conception in another form: “To many another will a prize fall. But the palm will be won by the fortunate man for whom it is reserved to trace back the formative energies of the animal body to the general forces and vital functions of the universe as a whole.” [ 46 ] It is these same general forces of Nature which cause the stone lying on an inclined plane to roll downwards, which also, through evolution, cause one organic form to arise from another. The characteristics which a given form acquires through many generations by adaptation, it hands on by heredity to its descendants. That which an organism unfolds to-day, from within outwards, from its germinal dispositions, had developed itself outwardly in its ancestors in mechanical struggle with the rest of the forces of Nature. In order to hold this view firmly it is doubtless necessary to assume that the formations acquired in this external struggle should be actually transmitted by heredity. Hence the whole doctrine of evolution is called in question by the view, defended especially by August Weismann, that acquired characteristics are not inherited. He is of opinion that no external change which has occurred in an organism can be transmitted to its offspring, but that only can be inherited which is predetermined by some original disposition in the germ. In the germ-cells of organisms innumerable possibilities of development are held to lie. Accordingly, organic forms can vary in the course of reproduction. A new form arises when among the descendants possibilities of development come to unfoldment other than in the ancestors. From among the ever new forms arising in this way, those will survive which can best maintain the struggle for existence. Forms unequal to the struggle will perish. When out of a possibility of evolution a form develops itself which is specially effective in the battle of competition, then this form will reproduce itself; when that is not the case, it must perish. One sees that here causes operating on the organism from without are entirely eliminated. The reasons why the forms change lie in the germ. And the struggle for existence selects from among the forms coming into existence from the most diverse germ-dispositions those which are the fittest. The special characteristic of an organism does not lead us up to a change which has occurred in its ancestors as its cause, but to a disposition in the germ of that ancestor. Since, therefore, nothing can be effected from outside in the upbuilding of organic forms, it follows that already in the germ of the root-form, from which a race began its development, there must have lain the dispositions for the succeeding generations. We find ourselves once more in face of a doctrine of Chinese boxes one within another. Weismann conceives of the progressive process through which the germs bring about evolution, as a material process. When an organism develops, one portion of the germ-mass out of which it evolves is solely employed in forming a fresh germ for the sake of further reproduction. In the germ-mass of a descendant, therefore, a part of that of the parents is present, in the germ-mass of the parents a portion of that of the grandparents, and so on backwards to the root-form. Hence through all organisms developing one from another there is maintained an originally present germ-substance. This is Weismann's theory of the continuity and immortality of the germ-plasm. He believes himself to be forced to this view, because numerous facts appear to him to contradict the assumption of the inheritance of acquired characteristics. As one specially noteworthy fact he cites the presence of the workers, who are incapable of reproduction, among the communal insects—bees, ants, and termites. These workers are not developed from special eggs, but from the same as those from which spring the fruitful individuals. If the female larvae of these animals are very richly and nourishingly fed, they then lay eggs from which queens or males proceed. If the feeding is less generous, the result is the production of sterile workers. Now, it is very easy and obvious to seek the cause of this unfruitfulness simply in the less effective nourishment. This view is represented among others by Herbert Spencer, the English thinker, who has constructed a philosophical world-conception on the basis of natural evolution. Weismann holds this view to be mistaken. For in the worker-bee the reproductive organs do not merely remain behindhand in their development, but they actually become rudimentary; they do not possess a large proportion of the parts necessary for reproduction. But now, he contends, one can demonstrate in the case of other insects that defective nourishment in no way entails such a degeneration of organs. Flies are insects related to bees. Weismann reared the eggs laid by a female bluebottle in two separate batches, and fed the one plentifully, the other meagrely. The latter grew slowly and remained strikingly small. But they reproduced themselves. Hence it appears that in flies insufficient nourishment does not produce sterility. But then it follows also that in the root-insect, the common ancestral form, which in line with the evolution doctrine must be assumed for the allied species of bees and flies, this peculiarity of being rendered unfruitful by insufficient nourishment cannot have existed. On the contrary, this unfruitfulness must be an acquired characteristic of the bees. But at the same time there can be no question of any inheritance of this peculiarity, for the workers which have acquired it do not reproduce themselves, and accordingly, therefore, can pass on nothing by heredity. Hence the cause must be sought for in the bee-germ itself, why at one time queens and at another workers are developed. The external influence of insufficient nourishment can accomplish nothing, because it is not inherited. It can only act as a stimulus, which brings to development the preformed disposition in the germ. Through the generalisation of these and similar results, Weismann comes to the conclusion: “The external influence is never the real cause of the difference, but plays the part of the stimulus, which decides which of the available dispositions shall come to development. The real cause, however, always lies in preformed changes of the body itself, and these—since they are constantly purposeful—can be referred in their development only to processes of selection,” to the selection of the fittest in the struggle for existence. The struggle for existence (selection) “alone is the guiding and leading principle in the development of the world of organisms” (Aüssere Einflüsse der Entwickelungsreize, p. 49). The English investigators Francis Galton and Alfred Russel Wallace hold the same view as Weismann as to the non-inheritance of acquired characteristics and the omnipotence of selection. [ 47 ] The facts which these investigators advance are certainly in need of explanation. But they cannot receive such an explanation in the direction indicated by Weismann without abandoning the entire monistic doctrine of evolution. But the objections urged against the inheritance of acquired characteristics are the least capable of driving us to such a step. For one only needs to consider the development of the instincts in the higher animals to convince oneself of the fact that such inheritance does occur. Look, for instance, at the development of our domestic animals. Some of them, as a consequence of living together with men, have developed mental capacities which cannot even be mentioned in connection with their wild ancestors. Yet these capacities can certainly not proceed from an inner disposition. For human influence, human training, comes to these animals as something wholly external. How could an inner disposition possibly come to meet exactly an arbitrarily determined action of man? And yet training becomes instinct, and this is inherited by the descendants. Such an example cannot be refuted. And countless others of the same kind can be found. Thus the fact of the inheritance of acquired characteristics remains such; and we must hope that further investigations will bring the apparently contradictory observations of Weismann and his followers into harmony with monism. [ 48 ] Fundamentally, Weismann has only stopped half-way to dualism. His inner causes of evolution only have a meaning when they are ideally conceived. For, if they were material processes in the germ-plasm, it would be unintelligible why these material processes and not those of external happenings should continue to operate in the process of heredity. Another investigator of the present day is more logical than Weismann—namely, J. Reinke, who, in his recently published book, Die Welt als That; Umrisse einer Weltansicht auf naturwissenschaftlicher Grundlage, has taken unreservedly the leap into the dualistic camp. He declares that a living creature can never build itself up from out of the physical and chemical forces of organic substances. “Life does not consist in the chemical properties of a combination, or a number of combinations. Just as from the properties of brass and glass there does not yet emerge the possibility of the production of the microscope, so little does the origination of the cell follow from the properties of albumen, carbohydrates, fats, lecithin, Cholesterin, etc.” (p. 178 of the above-named work). There must be present besides the material forces also spiritual forces, or at least forces of another order, which give the former their direction, and so regulate their combined action that the organism results therefrom. These forces of another order Reinke calls “dominants.” “In the union of the dominants with the energies—the operations of the physical and chemical forces—there unveils itself to us a spiritualisation of Nature; in this mode of conceiving things culminates my scientific confession of faith” (p. 455). It is now only logical that Reinke also assumes a universal world-reason, which originally brought the purely physical and chemical forces into the relation in which they are operative in organic beings. [ 49 ] Reinke endeavours to escape from the charge that through such a reason working from outside upon the material forces, the laws which hold good in the inorganic kingdom are rendered powerless for the organic world, by saying: “The universal reason, as also the dominants, make use of the mechanical forces; they actualise their creations only by the help of these forces. The attitude of the world-reason coincides with that of a mechanician, who also lets the natural forces do their work after he has imparted to them their direction.” But with this statement the kind of conformity to law which expresses itself in mechanical facts is once more declared to be the helper of a higher kind of law, in the sense of Eduard von Hartmann. [ 50 ] Goette's law of form, Weismann's inner causes of development, Reinke's dominants are fundamentally just nothing else but derivatives of the thoughts of the world-creator who builds according to plan. As soon as one forsakes the clear and simple mode of explanation of the monistic world-conception, one inevitably falls a victim to mystical-religious conceptions, and of such Haeckel's saying holds good, that “then it is better to assume the mysterious creation of the individual species” (Uber unsere gegenwärtige Kenntniss vom Ursprung des Menschen, p. 30). [ 51 ] Besides those opponents of monism who are of opinion that the contemplation of the phenomena of the world leads up to spiritual beings, who are independent of material phenomena, there are still others9 who seek to save the domain of a supernatural order hovering over the natural one, by denying entirely to man's power of knowing the capacity to understand the ultimate grounds of the world-happenings.10 The ideas of these opponents have found their most eloquent spokesman in Du Bois-Reymond. His famous “Ignorabimus” speech, delivered at the Forty-fifth Congress of German Scientists and Doctors (1872), is the expression of their confession of faith. In this address Du Bois-Reymond describes as the highest goal of the scientist the explanation of all world-happenings, therefore also of human thinking and feeling, by mechanical processes. If some day we shall succeed in saying how the parts of our brain lie and move when we have a definite thought or feeling, then the goal of natural explanation will have been reached. We can get no further. But, in Du Bois-Reymond's view, we have not therewith understood in what the nature of our spirit consists. “It seems, indeed, on superficial examination, as though, through the knowledge of the material processes in the brain, certain mental processes and dispositions might become intelligible. Among such I reckon memory, the flow and association of ideas, the consequences of practice, the specific talents, and so on. A minimum of reflection, however, shows that this is a delusion. Only with regard to certain inner conditions of the mental life, which are somehow of like significance with the outer ones through sense impressions, shall we thus be instructed, not with regard to the coming about of the mental life through these conditions. “What thinkable connection exists between the definite movements of definite atoms in my brain on the one hand; and, on the other, those for me primary, not further definable, not to be denied facts: ‘I feel pain, I feel pleasure, I taste something sweet, smell the odour of roses, hear the sound of an organ, see red,’ and the equally immediate certainty flowing therefrom, ‘therefore I am!’? It is just entirely and for ever incomprehensible that it should not be indifferent to a number of carbon, oxygen, nitrogen, hydrogen, etc., atoms, how they lie and move, how they lay and moved, how they will lie and move.” But who asked Du Bois-Reymond first to expel mind from matter, in order then to be able to observe that mind is not in matter? The simple attraction and repulsion of the tiniest particle of matter is force, therefore a spiritual cause proceeding from the substance. From the simplest forces we see the complicated human mind building itself up in a series of developments; and we understand it from this its becoming. “The problem of the origin and nature of consciousness is only a special case of the general problem in chief: that of the connection of matter and force” (Haeckel, Freie Wissenschaft and freie Lehre, p. 80). As a matter of fact, the problem is not at all, How does mind arise out of mindless matter? but, How does the more complex mind develop itself out of the simplest mental (or spiritual) actions of matter—out of attraction and repulsion? In the preface which Du Bois-Reymond has written to the reprint of his “Ignorabimus” speech, he recommends to those who are not contented with his declaration of the unknowableness of the ultimate grounds of being, that they should try to get along with the faith-conceptions of the supernatural view of the world. “Let them, then, make a trial of the only other way of escape, that of supernaturalism. Only that where supernaturalism begins, science ceases.” But such a confession as that of Du Bois-Reymond will always open the doors wide to supernaturalism. For whenever one sets a limit to the knowledge of the human mind, there it will surely start the beginning of its belief in the “no longer knowable.” [ 52 ] There is only one salvation from the belief in a supernatural world-order, and that is the monistic insight that all grounds of explanation for the phenomena of the world lie also within the domain of these phenomena. This insight can only be given by a philosophy which stands in the most intimate harmony with the modern doctrine of evolution.
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31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 1
30 Dec 1887, Rudolf Steiner |
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January marked one hundred years since it first appeared under its present title, and it was with not unwarranted pride that the City paper, the largest and most influential newspaper in England and the world, could look back on the hundred years during which it has served public opinion. |
31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 1
30 Dec 1887, Rudolf Steiner |
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The official New Year's receptions, as are customary in Berlin, Paris, Pest, etc., have contributed to some extent to calming people's minds about the general situation. Speeches were made almost without exception which more or less confidently expressed the hope for the preservation of peace, and even if the present conditions were by no means described as very pleasant, it was emphasized that the times had not yet become so serious that the solution of the present entanglements was only possible through war. Of course, such remarks are of little consolation, and in view of the military events in Russia, which are striking and unusual in every respect, it is impossible to refrain from worrying about the future. The most important of the political New Year's speeches was the one with which Prime Minister v. Tisza returned the congratulations of his party. This year, as every year, the members of the Liberal Party had gathered at Tisza's house to congratulate him, and in response to a heartfelt speech by Count Bela Bänffy, the Prime Minister began by thanking the gentlemen, saying that he was aware that the flag of liberalism would always be held high in his fatherland. Progress in the country could not be denied, and the Hungarian state was growing stronger from year to year. The settlement of finances would also succeed if the world situation was not disturbed. "But," added Mr. v. Tisza, referring to external politics, "the condition is one that no one can stand for. For my part, I do not join those - and I say this quite sincerely - who regard the danger of war as imminent. I still hope today that we will escape this danger... I do not consider it justified to speak in the tone of the pessimists, but, even if I hope for the better, I would again consider it a mistake to spread optimism, because optimism often paralyzes the power of resistance which, I hope not, but which we may nevertheless need". As you can see, Tisza's language is as cautious as possible. At the Vienna Stock Exchange, his speech initially caused a real scare, as the Telegraph Correspondence Bureau had omitted the word "not" in the most important passage: "I, for my part, do not join those ....", and prices fell sharply. Once the correction had been made, the shares recovered again. A peaceful sign is also interpreted as Kaiser Wilhelm's repeated remark at the reception of the German generals that the main focus of their attention this year would be the imperial maneuvers. But even this statement is no assurance that all danger can be eliminated. And so Europe is approaching a time that is uncertain and dark, and Russia will have to give other proofs of her love of peace than she has done so far before her neighbors can once again devote themselves more carefree to their internal affairs. The German "Reichsanzeiger" published the forged documents which were handed over to the Tsar in order to convict German politics of dishonesty. These were alleged letters from Prince Ferdinand of Bulgaria to the Countess of Flanders, which turned out never to have been written by the Prince, and which included a forged letter from the German ambassador in Vienna in which the official support of the German Empire was promised to the Prince. The fiftieth anniversary of Pope Leo XIII's ordination to the priesthood, which was celebrated on December 31, was celebrated in splendid fashion, and delegations from all parts of the world traveled to Rome with gifts to pay homage to the head of Christendom. Most of the European monarchs were represented by extraordinary envoys. Only the pope's unpleasant relationship with Italy added a note of discord to the festivities, and Leo XIII believed he should not refrain from attacking the Italian kingdom in a speech. The mayor of Rome, the Duke of Torlonia, was dismissed from office by the government because he had had the congratulations of the municipality conveyed to the Pope without a commission. There has been a change of minister in Serbia. After Ristic was dismissed following a conflict with the Radical Party, the King formed a new ministry with Sava Gruitsch as Prime Minister and Minister of War and Colonel Franassovic as Minister of Foreign Affairs. The new government fully adopted Milan's pro-Austrian policy. A few days after the New Year, Baron Paul Sennyey, President of the House of Lords and Judex cutiae, known as the "Black Baron" in his day as the leader of the Conservatives, died in Hungary. Sennyey had long been an avowed opponent of Tisza, but he no longer played a prominent role as an active politician in recent years. Let us also remember the anniversary celebrated by The Times on New Year's Day: on 1. January marked one hundred years since it first appeared under its present title, and it was with not unwarranted pride that the City paper, the largest and most influential newspaper in England and the world, could look back on the hundred years during which it has served public opinion. |
31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 2
05 Jan 1888, Rudolf Steiner |
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However, such a measure would probably have been adopted at the same time under more peaceful conditions. These are almost only minor political matters that have interrupted the week's silence. |
More important may be the negotiations that are to be held again between the German and Czech members of parliament in Bohemia. An understanding is hardly to be expected, the differences are too great. But at least we should find out more about what the Czechs have to offer in relation to the German Fordetungen. |
31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 2
05 Jan 1888, Rudolf Steiner |
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A significant change in Austria's relations with Russia does not yet appear to have occurred. Things are still at the same old stage. Attempts have been made to capitalize on the premature discharge of the oldest year of the Russian Guard Corps, which is now to take place, but the general armaments in Russia, of which new reports reach the world from time to time, do not really raise hopes of maintaining peace. Austria remains cautious. Even at the last ministerial conferences held in Vienna, in which the Hungarian ministers Tisza and Fejervary took part, no further resolutions were passed. The only thing that resembles a preparation for war is the calling up of reservists in Austria and Hungary for an extraordinary seven-day rifle drill for the purpose of practicing with the repeating rifle. The necessary bill has already been sent to the Hungarian House of Representatives and will soon be submitted to the Imperial Council. However, such a measure would probably have been adopted at the same time under more peaceful conditions. These are almost only minor political matters that have interrupted the week's silence. The holiday mood still lingers. The opening of a beautiful jubilee exhibition in the Vatican, a quickly suppressed coup in Burgas - that's pretty much all the news abroad. More important may be the negotiations that are to be held again between the German and Czech members of parliament in Bohemia. An understanding is hardly to be expected, the differences are too great. But at least we should find out more about what the Czechs have to offer in relation to the German Fordetungen. In the meantime, the Germans in Prague celebrated the opening of their new theater in the most festive way. On both evenings, the house was filled with a glittering audience, including the governor Baron Kraus and the colonel-land marshal Prince Lobkowitz. On the first evening "Die Meistersinger" was performed, on the second an occasional comedy by Alfred Klaar and "Minna von Barnhelm". The celebration was not disturbed in any way by the Czech population. After the performance on the second day, a banquet was held at which Dr. Schmeykal explained the significance of the celebration in a major speech. He concluded with a toast to the German people in Bohemia. Professor Knoll, Dr. Hermann from Dresden and Dr. Klaar followed the leader of the German Bohemians with uplifting toasts. |
31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 3
12 Jan 1888, Rudolf Steiner |
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If he should be forced to draw the sword in the current year, the Bulgarian army under his leadership would show the world that the Bulgarians knew how to die for their flag and for the defense of the fatherland. |
31. Collected Essays on Cultural and Contemporary History 1887–1901: Essays from “German Weekly” Nr. 3
12 Jan 1888, Rudolf Steiner |
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In a letter to the governor of Moscow, Tsar Alexander expressed the confident hope that peace would allow Russia to devote all its energies to internal prosperity in this and future years. These words constitute the most gratifying message of peace that the new year has so far brought, and if the Tsar had not simply wanted to say to his Moscow governor a phrase of the kind that is used at the turn of the year without giving it any deeper meaning, Europe would have reason to breathe a sigh of relief for a while. The Tsar is regarded as a man who is too proud not to be sincere, and since no one outside Russia seriously believes that peace can be disturbed from anywhere other than St. Petersburg, this announcement is regarded as a pleasant sign that the situation has generally improved. Whether this conclusion is correct, of course, only the future can prove, for the Tsar has not so unequivocally declared his will to keep peace with his neighbors that one can now dispense with all worries. A solemn declaration, such as was expected from the Tsar from various quarters on the occasion of the Greek New Year, did not take place. Several Russian dignitaries, such as Count Tolstoy, the Minister of the Interior and the General Procurator of the Synod, Pobyedonostsev, were awarded high decorations; for the rest, everything remained quiet in Russia, only the movement of troops and the accumulation of various war material on the southern borders seem to have been uninterrupted. At a Conservative banquet in Liverpool, Salisbury was just as hopeful as the Tsar, but just as determined and resolute in his comments on the development of conditions on the continent. He said that the European situation had changed for the better and that peace was assured for the near future; the sovereigns and ministers were working with all their energy to maintain peace. Such statements have again become typical among statesmen and princes, and if the facts of all-round armaments did not exist, one would at least be able to accept them with greater confidence. It is only from Sofia that a bellicose tone can be heard. At the New Year's reception, Prince Ferdinand gave a speech to the officers of the capital's garrison, in which he said that he had become a Bulgarian in thought and feeling, and that he would never separate his cause from that of Bulgaria. If he should be forced to draw the sword in the current year, the Bulgarian army under his leadership would show the world that the Bulgarians knew how to die for their flag and for the defense of the fatherland. In the Hungarian House of Representatives, Austria's relations with Russia were the subject of two interpellations by Helfy and Perczel. The speeches with which the two deputies justified their questions were sharply directed against Russia, and the words of the interpellations themselves were no less categorical. interpellations themselves. Helfy asked the government whether it had precise knowledge of the Russian war armaments, whether the Foreign Office in Vienna had taken steps to find out from Russia the purpose of these armaments, etc. Perczel demanded straightaway that Russia should be firmly requested to cease its armaments and reduce the number of troops on its borders. Prime Minister v. Tisza should answer both questions shortly. In the last few days, the Army Committee of the Chamber of Deputies dealt with the bill on the extraordinary call-up of reservists for training with the repeating rifle. The bill was adopted in the main. On this occasion, Minister Fejervary announced that 90,000 repeating rifles with a caliber of 11 millimeters had been completed and that two army corps had been equipped with them. The House of Representatives has now entered the budget debate. Now the Austrian Imperial Council has also been convened, for January 25th, and there is renewed activity in internal politics everywhere. It seems that in one of its first sessions the Austrian House of Representatives will have to deal with a motion which Prince Alois Liechtenstein wants to submit for the introduction of denominational schools. At a voters' meeting in Kaindorf, he at least declared that his party was determined to table this motion at the beginning of the next Reichstag session. The state parliaments continue to work in part. There were stormy scenes in the Prague Landstube on January 13, caused by the fact that the aristocrats remained seated during the vote on Vataschy's motion for the introduction of linguistic equality. The Young Czechs clenched their fists against the landowners and shouted at them: "Is this the Czech nobility? The Czech nation will remember! Shame on our nobility!" And so on. There was a commotion in the house and the chairman had to have the galleries cleared. A few days later, Mattusch's motion to decentralize the elementary and secondary school system was passed. The Galician parliament also took it upon itself to raise its voice more than once in favor of extending the country's autonomy. Of two by-elections for the Imperial Council in Linz and Kuttenberg, the first was in favor of the German liberal Count Kuenburg, who had run against a cleric and an anti-Semite. In the other election, the Young Czech Dr. Herold won against his Old Czech opponent. The Prussian Parliament opened on January 4 with a speech from the throne. One of the first sentences was addressed to the crown prince, for whose recovery hopes remained high. Moving on to internal political affairs, the speech noted that the financial situation of the state had developed very favorably and that the maintenance of the balance of revenue and expenditure seemed assured "unless unpredictable events intervene". The available funds were to be used, among other things, to improve the situation of the clergy and civil servants, but above all to ease the pressure of municipal and school burdens. The speech also holds out the prospect of several other proposals, such as the construction of new rail links. The budget, which was presented to the House of Representatives, set expenditure and revenue at 1,410,700,000 marks. The German Reichstag has received the draft announced some time ago concerning the extension of the Socialist Law. According to the bill, the validity of the law would be extended until September 30, 1893 and several tougher provisions would be introduced. In addition to a custodial sentence, it is now also possible to impose a restriction on residence in a certain place. The offender's citizenship can be revoked and he can be expelled from the federal territory. These provisions are followed by several others. The explanatory memorandum to the law states that these stricter measures have become necessary because social democracy has not lost any of its strength and expansion as a result of the previous measures. |